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Discussion on the Spirit of Chinese Art Balthus’ Landscape

Author: DongYing
Tutor: HuangRuiXin
School: Henan University
Course: Fine Arts
Keywords: Balthus Landscape Painting Chinese artistic spirit Reflect
CLC: J205
Type: Master's thesis
Year: 2010
Downloads: 174
Quote: 1
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Abstract


In today's world, with China as the representative of oriental art artistic increasingly understood by the Western world, has a unique cultural values ??of Chinese artistic spirit increasingly global significance. Balthus painting figurative art in the world, has made remarkable achievements, get world recognition. He not only inherited the tradition of Western art, and life in love Oriental art. He was something artistic painting under joint nourishment. His landscape paintings, in order to convey the image of emotions, by depicting the real state of mind, meaning often in paintings, screen intriguing. His use of Western painting techniques to express the oriental feelings, which in the West is unique in the field of ancient and modern landscapes. In painting, Balthus comprehend the Chinese painting included Heaven, Emptiness selfless artistic beauty, and made his way to a Western-style interpretation. This paper attempts to examine from the epistemological point of view, and from the interpretation of elements of traditional Chinese painting landscape painting Balthus. From the formal language, aesthetic characteristics, philosophy three aspects as a basis to discuss. Article is divided into three chapters: the first chapter describes Balthus and his landscape paintings. First expounded Balthus painting oriental implication embodied and his youth exposure to Chinese landscape painting forged a bond, followed by discussion in Chinese painting and Chinese painting theory under the influence, based on their profound artistic accomplishment, Balthus unearthed a valuable traditional Chinese art artistic treasures. The second chapter of formal languages, philosophy and other aesthetic features and three landscapes in the face of Balthus embodied in Chinese artistic spirit to start on. In formal language aspects: First, the composition draws on Chinese landscape painting \elegant; Fourth, observe the way to object view of things, to experience the objective existence. In terms of aesthetic characteristics, summarized Balthus landscape has drawn artistic beauty, the actual situation the United States, artistically United States and other characteristics, which clarifies Balthus landscape painting reached a Chinese traditional painting criteria - Yige. In philosophical terms, summarized in four points: one, reflecting the pursuit of natural beauty Zhuangzi thought; Second, the emphasis in landscape emotional self, to love scenery, reflect the \Ortiz later years disappearance mountains, has a \Chapter 3 presents Balthus landscape inspiration for contemporary art. Mainly divided into three points: First, the integration of Chinese and Western artistic concepts. Balthus oil paintings as the appearance, to the spirit of Chinese art painting features inherent qualities, should be our contemporary Chinese painting on the development requirements; Second, insist on their own merits compatible with other ethnic paintings fine art; Third, by the ancient to open today. Balthus art concept, to promote the traditional basis of creation, and Shi Tao's \This final conclusion: China is a country of culture has a long cultural origins blend Chinese and Western art is not only the language of the art form of the material and the performance of a simple combination, more importantly, in-depth picture of the inner spirit of the cultural dimension. Landscapes by Balthus artistic spirit inherent in Chinese studies illustrate the development of our present oil paintings of ancient Chinese still carry forward the outstanding culture and heritage.

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CLC: > Art > Painting > Painting theory. > Drawing reviews,appreciate
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