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Research on the Aesthetic Modernity of Lijianwu’s Literary Criticism

Author: SunJia
Tutor: ZhaoLingHe
School: Liaoning University
Course: Contemporary Chinese Literature
Keywords: Li Jianwu Literary Criticism Aesthetic Modernity
CLC: I206.09
Type: Master's thesis
Year: 2010
Downloads: 166
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Abstract


Thirties of the 20th century, with the introduction of Western theories of modern Chinese literary criticism has experienced 54 new period of enlightenment stage, began to develop into a new historical stage, the new literary critics received the baptism of modern Western critical theory, starting from the traditional focus instead on criticism of the external criticism of its own. The new literary criticism thirties break the traditional mode of criticism, although this time the left-wing criticism of the mainstream, but belong to liberal criticism of criticism within the context of the Shanghai and Beijing School criticism with criticism of the new ideas and wealth impact of Criticism rise rapidly, and the tendency of mainstream criticism of the formation of rival powers.The introduction of modern aesthetic theory to criticize Beijing School thirties all schools of criticism as the most significant aesthetic criticism, as criticism of Beijing to send a representative, the impression of Li Jianwu-style criticism can best embody the aesthetic of modern theory of traditional Chinese criticism transformation and impact. This paper attempts to Chinese Literature in the thirties of the modern context, the use of aesthetic modernity perspective, the Root of literary criticism on a fresh interpretation to reveal a whole new perspective from their criticism of the modern sense, and aesthetic content.This article first Modern Chinese Literature thirties were macro-context description. First, the background and literary trends from the perspective of modern Western aesthetic theory of infiltration and the infiltration of both the New China was the deep background of literary criticism is literary criticism of Li Jianwu aesthetic characteristics of the formation of modern direct cause of the modern literature creative renaissance and prosperity of the Root of aesthetic criticism was provided critical field and critical objects. Secondly, the criticism of the text of the aesthetic criticism of modernity from the main body of the highlights of modern aesthetic. Here the "subject" has two levels:first, the main critics of self, and second, the main body of literature, both subject and aesthetic requirements of modern sexual liberation determine the characteristics of modern aesthetic criticism. Third, the Beijing school of modern criticism dimensions also determine the general tendency of literary criticism Li Jianwu, both the modern dimension to the traditional criticism of the practicality of digestion, but also on the mainstream literary criticism of non-resistance.In the second part of the image of Li Jianwu-style criticism of system have been systematically analyzed, respectively, from criticism of ideas, criticism in criticizing aspects of a comprehensive exposition of the three mechanisms, the core of the subject is self-manifest. Li Jianwu from the "encounter between the soul of the masterpiece" ideas of criticism, the criticism related to life, human nature, three levels of self-soul, fully demonstrating the aesthetic modernity Perspective completely self-liberation and the pursuit of freedom. To humanity as a criticism of the final object, the main basis for self-criticism in order to "fair-good faith-freedom" in the formula for the criticism of the principle of the humanitarian spirit of the system Li Jian Zhao, the completion of the mission of a true critic.The third part of the application of aesthetic modernity "readable" and "writable" The scope of the concept of binary opposition reveals s Literary Criticism aesthetic characteristics of the text, which whisper of, poetic and prose is its criticism of the text of the most prominent modern aesthetic of the three performances.The fourth part of the s Literary Criticism integration of resources for the origin of style analysis, one of the modern Western theory representative of Aestheticism, Expressionism and the empirical theory of the critical theory of Li Jianwu, another side, and from Li Jianwu start their own characteristics, critical theory, critical theory analysis of the system Li Jianwu traditional factors.The last part is a summary of the full text divergent perspectives and expanded to build on the s Literary Criticism system’s overall grasp as the starting point to the new literary criticism on the formation of modern aesthetic horizon of expectations, in order to present the new Chinese aesthetic modernity of literary criticism significance level, and thus prospects for future development of Chinese literary criticism road and the way forward.

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