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Researching the Musical Rite of the Zhou Dynasty Five Ceremonies

Author: LiJianWei
Tutor: LiFangYuan
School: Central China Normal University
Course: Chinese music history and literature
Keywords: Five Rites Places hanging Kim played Is music L Song Down tube Sheng into Between songs Halcrow No calculation music
CLC: K224
Type: Master's thesis
Year: 2008
Downloads: 366
Quote: 1
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Abstract


Five Lile instrument Perspective , discuss the Zhou Dynasty Ceremony System reflect on the music . In this paper, the basis of the results of the classical studies , combing the Zhou Dynasty the five officiating with music recorded in the literature , with the basic program of music , music instrument section detailed the Textual and discrimination , to sort out the Five Rites clarify the music five Rites characteristics and functions , and in-depth discussion of the relationship between the Zhou Dynasty music , ceremony instrument . This paper argues that the music in the presence of both the Five Rites bondage ritual system of the instrument , but also because the characteristics of the music body of the instrument , the presence of two kinds of music instrument in the Five Rites program and normative . This paper is divided into five chapters , the first chapter is the introduction part , summarized the status quo of the Zhou Dynasty Ceremony in general as well as previous research on the topic , and discusses the meaning of the concept of \The second chapter discusses some of the knowledge and concepts of the Zhou Dynasty five Lile instrument . The contents include: preparations before the ceremonial , is music gold outs, positive music , the Hing dance is music , no calculation music , song Toru music to travel in and out of the instrument , this part of the arrangement in accordance with the process of etiquette and Music Festival sequence ; tube co-workers about the song , the music start and end of the instrument , the relative blind Meng of the instrument , offering workers the instrument also discussed . The third chapter combed the Zhou Dynasty five Liyue instrument program to Kyrgyzstan , Kerry , Philippines, the military , fierce Five Rites for the existence of the state of the framework and sequential study music in the Zhou Dynasty liturgy . Kyrgyzstan ceremony discusses ancestor worship , Sitian , Jide God officiating music instrument ; Skyline discusses Township drinking rituals , Local Shooting Ceremony , both of rite , big shot ceremony , endowment ceremony music instrument , as well as other Skyline with music ; Bin Li discusses the various DPRK dowry satisfy ceremony of music instrument and meter patrol ceremony music ; the reading ceremony music instrument and the music instrument of conquest salute discusses ; in Xiongli mainly discusses marching the Fagu save the sun and moon . Chapter IV summarizes the the Zhou Dynasty five Liyue instrument characteristics , respectively the five - Liyue instrument exist characteristics , function, music instrument in the Five Rites Five Rites the music general guidelines . The final chapter is on the basis of the above four chapters focus on the issue of the Zhou Dynasty of the instrument . This paper argues that the use of music in the Zhou Dynasty liturgy not only bound by the ceremony and the formation of the instrument , but also due to the characteristics of the music itself and presents some of the instrument in the liturgy .

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CLC: > History, geography > History of China > The 21st century slave society ( about BC ~ 475 BC ) > Three generations ( 21th century BC - 770 BC ) > Western Zhou Dynasty ( 11th century BC - 770 BC )
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