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Taiyuan Gongs are widespread in Taiyuan, Shanxi folk percussion from the music . Its magnificent playing style , power and grandeur , is a folk art form of local people for festivals rendering the atmosphere , express their emotions , are widely used of idolatrous society , community fire performances, festive activities to heighten the atmosphere , the people loved one of the art forms , since the 1980s , Taiyuan gongs rapid development to the percussion team of Taiyuan Iron and Steel Company participated in the performances of the eleventh Asian Games opening ceremony in Beijing in 1991 , caused a great stir . Taiyuan the gongs rapid development while research Taiyuan the gongs also become a prominent problem emerge . Taiyuan gongs of social structure, material composition , music form constitute a comprehensive research and exposition . Elaborated in the social composition of the Taiyuan gongs spread regions, social classes , the folk culture Taiyuan gongs , Taiyuan gongs deep stream ; gongs and drums substance in Taiyuan Taiyuan gongs instruments , the band prepared to play in the form , the musical skills Tune notation made ??a summarized ; Taiyuan gongs music form constitute the basic elements of the music of drums and gongs in Taiyuan , rhythm , timbre , musical development practices , curved body structure were analyzed and summarized . Adhere to the attitude of the empirical use of ethnomusicology and traditional literature research method , combined with Musicological Folklore theory , Taiyuan gongs social composition , material composition , the music the form constitute three of the survey and research , the following conclusions : Taiyuan gongs to late can be traced back to the Qing Dynasty , Taiyuan gongs rhythm composed mainly consists of thirteen bytes antithesis unique development practices Taiyuan percussion from the music point of view . This paper systematically summarizes Taiyuan gongs art form and style characteristics , and the theoretical study Taiyuan gongs want to rise to a higher level of theory .
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