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Author: YangQingDong
Tutor: ZhuDeFa
School: Shandong Normal University
Course: Contemporary Chinese Literature
Keywords: Novel Monthly Chinese fiction Semiotic Text Novel Concept Modern Transformation Narrative mode
CLC: I209
Type: Master's thesis
Year: 2001
Downloads: 326
Quote: 2
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Abstract

This paper examines the \transformation of modern Chinese fiction history of modern literary journals trying this literary media to start the generation of modern Chinese fiction, development and evolution to be re-contemplation to explore the culture industry, especially the modern generation and journals produced by modern Chinese fiction relationship, and thus Re contemplation whole new evolution of the History of Literature. Because of reply requirement limitations, this paper only the fifth and sixth chapters draw participate thesis of reply. Chapter 5, \, functional, aesthetic characteristics of the traditional novel concept into refuted. They think that the novel is a reflection of society, is a reflection of social psychology, but the novel is the fact that rather than empty words, and more importantly, the novel as a literary one, will not back art of purpose, which contained the traditional channel, Correctional advise on the novel idea refute. Lack of a sophisticated ideological and theoretical philosophy and culture, although they are established in the modern novel concept presents many advanced insights, but did not ultimately establish a modern novel concept. This task can only be left late, \Second, the late \Late \They stressed that the essence of literature, while literature is the study of life, a reflection of life. And here's the \Establishing the Concept of modern science directly contributed to the transformation of the concept of modern Chinese fiction. Chapter 6, \In the first level presents the language symbol system. Judging from the text level, Chinese novels in the \Mountains in symbolic form itself exhibited the influence of the nature of man and culture and become a people and culture and the physical and chemical nature of the external form of the results. Therefore, the \It exhibits the inner levels of psychological novels cultural paradigm shift mechanism. This is the Chinese novels are the most essential of change root. Second, the \Old third-person omniscient point of view of narrative patterns in the early \However, third-person limited point limit first-person narrative and narrative two kinds of knowledge narrative of modernity in the early \Late \

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