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In the last 20 years , the Chinese oil painting showing a wide range of trends , both adhere to local realism oil painting , also due to the development of commodity economy \New era , artists , using different approaches and concepts oil paintings , great shift in the direction of material selection , material collection and analysis methods have many characteristics of the new era . This article discuss the relationship of the material collection, analysis and oil paintings divided into three parts : The first part of the research part of the domestic painters and foreign masters material research and creation of ideas , summed up the process and characteristics of each artist 's material . From a macro point discussed political, religious, artistic concepts of the times for material research work ; combined with the current cultural backgrounds, further analysis of the localization of Chinese Oil Painting cultural orientation , life cultural tendency , the commercialization of culture tend to select the material of contemporary artists affected. The second part of the focus on material research and analysis of my oil paintings . Through a case study of my oil painting , finishing the detailed process of the material collection and analysis , to solve the problems encountered , summarize and compare the different characteristics of the study of traditional and contemporary material , discusses the significance of thinking of my childhood series of oil paintings cultural perspective . Part III made ??an in - depth analysis of the problems of the field of study for college oil painting teaching material , put forward the corresponding measures and proposals , called on universities to attach importance to material research and teaching . The collection and analysis of the material is an important part of the oil painting , this has been done is good or bad can determine the success or failure of the works . We should trial and error , breaking the limitations of the times, to find more and better material research methods for artistic creation .
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