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Stravinsky six chamber music works and sound research
Author: LiuHaiRong
Tutor: DuXiaoShi
School: Capital Normal University
Course: Musicology
Keywords: Stravinsky Chamber music Chord structure The harmonic progression Tonality Polytonality Natural sound
CLC: J614.1
Type: Master's thesis
Year: 2005
Downloads: 357
Quote: 6
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Abstract
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20th century composer Igor Feiduoluowei Stella Stravinsky published a total of 26 works of chamber music. This paper selected three different periods of six representative works of chamber music \Trio \Article summarizes and comparative studies, six chamber works in the chord structure, harmony, tonality processing and sound application technology of sorting and classification, explore Stravinsky natural sound tone high basic materials, multi-tonal pitch organizing principle to form a unique harmonic language, so as to further understanding of Stravinsky rigorous, the rational creative style and personalized and stunning musical language expression. The thesis is divided into six parts. The first part is a description of the purpose and meaning of this article topics, trying to say Cummings Stravinsky chamber music works and sound application techniques in the works of various genres in the form of value, significance and development of contemporary music an important position. The second part is a six chamber works and harmony application characteristics summarized elaborated. Third, fourth, fifth part is the main part of the article. The third part of the concept of change and development of six chamber works of Stravinsky chord structure shaped classification, from the traditional triad structure based on the expansion and change, based on the principles of traditional chord structure derivatives show with non-traditional be a detailed explanation of the three major categories of the chord structure. The fourth part of the works of Stravinsky non-functional harmony to do a specific analysis and comparison study, from a single line melody to the tuning of the harmony, the combination of dual-tone multi-tonal polyphony of harmonic progression eight to be classified discussed. The fifth enlargement phenomenon for Stravinsky works embodied in the concept of tonality on a traditional basis, respectively, from these three aspects of the dispatch center axis of tonality sequence practices explore their personalized tone the principles of layout and structure. Part VI in the third, four, five-part study concluded on the basis of the unique qualities of the aesthetics of music creation under the guidance of Stravinsky to make summative evaluation.
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