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Dialectics on Aesthetics Appreciation of Voice and Emotion in Singing

Author: ZhangMinMin
Tutor: HeJiJun
School: Hunan Normal University
Course: Musicology
Keywords: voice emotion dialectics of aesthetics appreciation opposite and unificatory contradiction
CLC: J616
Type: Master's thesis
Year: 2007
Downloads: 195
Quote: 2
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Abstract


It is an old topic which has been taked too much how to integratevoice and emotion when singing. Nevertheless a further understanding ofthis question. From a stand point of aesthetic appreciation this thesis bymeans of scientific dialectics expands to discuss the recognition of theralation between voice and emotion to obtain a better understanding oftheir dialectical relation so that singing art could display the songs moreappealing, and it also clarifies the relation through explanation of somefacts. Dialectics is science about the general law of nature, society anddevelopment of thingking as well as corrct world outlook and metheology,while aesthetics appreciation is the feature which distinguishes all arts ofaesthetics and philosophyby means of scientific world outlook andmethodology so as to research and construct the creation rule of art in theprocess of art aesthetics appreciation. When exploring the relationbetween voice and emotion in singing, we could boild a more theoriticaland systematic value of aesthetics appreaciation through application ofdialectics in order to breafl summerize how to display voice and emotionin the course of singing and achiece general knowledges of overwhelmingrules. Utilizing a combination method of aesthetic, musical, philosophy,musical psychology and art dialectics, this thesis attempts to put forwardsome innovative ideas on the basis of persent theory and art perfoemanceexperience. Besides introduction and conclusion this thesis is divided into threechapters:Chapter One deals with dialectics in aesthestic appreciation of voicein singing. Voice is the foundation of singing art and a conbination ofboth phonetics and composition which in the process of integration relyon each other and are mutually supplementary as well as unificatory,contradictory and conflicting, mou ldable and elastic. Timbre is allsounds man sing composed of breaht, resonace, range language, volumeand tone color. Giving a full play of timbre in singing needs conciliationand cooperation of all physiological organs. In art performance voicecould be contradictorily real and phoney, light and heavy, slow and swift,low and loud, artificial and true with pause and commence.Chapter Two copes with dialectics in aesthetic appreciation ofemotion in singing. Emotion is the soul of singing art. Emotion in singingmight have several phases which is unificatory on the other side. Whenwe say emotion, we mean not only the narrow meanig of expressingemotion but dialectical unification of emotion illustrated by the words,tune and voice. A singer should be able to plunge himself into sceneryaria from heart according to the type of composition he performs byimmersing in the scenes.Chapter Three expounds how to tackle and command the dialecticrelation of aesthetic appre ciation between voice and emotion in their further combination, which is the emphasis of this article. In this chapterit is discoursed in five aspects:Dialectic unification of physiology and psychology in singing;unification of method and object of display; unification of substance andform of singing; dialectic unification of common character andindividuality of singing and dialectic unification of nationality andmodernity of singing.

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CLC: > Art > Music > Music theory and methods > Theory of voice production
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