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The Chinese plot painting of the 20th century

Author: DuLongZuo
Tutor: GuoBeiPing
School: Xi'an Academy of Fine Arts
Course: Fine Arts
Keywords: narrative painting ideological construction popular aesthetic narrative painting’s ontology language
CLC: J205
Type: PhD thesis
Year: 2010
Downloads: 140
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Abstract


Narrative painting occupied an important position in the 20th Century Chinese painting development. This paper of the 20th Century Chinese narrative painting' dissertation">narrative painting mainly to sort out the process on its rise, prosperity and decline , analysis in the process of the decisive factors in all aspects. This article adopts methods of artistic sociology, history and iconography to conduct the research.The paper divides into four chapters:The first chapter deals with the concept of narrative painting as well as its features. Analysis of the western and Chinese narrative painting’s general development paths, as a reference background on narrative painting development in 20th century.The second chapter deals with the narrative painting before 1949, including five parts, Such as the pioneer of narrative painting, Xu Beihong’s ideas and narrative painting, the leftwing woodcut which advocated by Lu Xun and narrative painting, Anti-Japanese War and the narrative paintings emerge massively, Yan an“speech”and narrative painting. Mainly analysis the facts by which the narrative painting have being promoted and facilitated its emergence. Analysis of three representative figures and their advocates how to played a role in the development of the narrative paintingThe third chapter deals with the narrative painting after 1949. Consist of New Year paintings movement and the transformation of the traditional Chinese paintings with its influence on the development of narrative painting. The Intellectual transformation and it impact on painting. The former Soviet Union Socialist realism and narrative painting, narrative painting in the "Three Red Banners" "combine" and "socialist education", the Cultural Revolution art and narrative painting, narrative painting in“Scar”art and its Transform into native realism, The narrative painting fade out the stage of history. After the founding of People’s Republic of China, the development of art controlled by the system, The narrative painting becomes the mainstream of painting for it advantages in transformation national ideology into the masses lovely way, and converts a different themes with the political development, Narrative painting’s fade out not only shown the internal law of painting, but also shown the painting natural state after de-political.The fourth chapter deals with several key issues: analysis the four stages of narrative painting and provide an overview of the twentieth century Chinese narrative painting .Fade out of the narrative painting is due to the contradictory nature between the narrative and of ontology language of painting, thereby to analysis the representation of narrative painting inner contradictory at different times. The basic reason for prosperous of narrative painting is the ideology propaganda needs conjunction with the popular aesthetic and interpret painting method. Therefore carries on the analysis to the narrative painting and populace’s esthetic relations, Analysis of the relationship between the narrative painting and Country’s ideology propaganda needs, the purpose is to conduct in-depth reflection on this issue. Finally is this article’s conclusion.This paper has for the first time studied our country’s narrative painting development in the 20th century, the research has revealed the basic reasons for its prosperity and decline , provided personal thinking and humble opinion to study this issue..

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