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In the long course of development of human history, different ethnic groups, different parts of the arts and culture, technology, process, and its ecological and cultural bound to gather and show the national or the regional production, lifestyle, geography and climate, culture, tradition, philosophy of religion and artistic spirit. Long social practice gradually settle down, the quality of the national psychology, folk fashion, including the word cast constructed aesthetic ideal, experience, form a set of value system interaction and mutual influence of national and regional particularities financial exchange in which. Hui culture rooted in the fertile soil of this piece of Anhui East disposable, around, and affecting thousands of years of history and culture of the people of the Huizhou region the spirit of the concept of temperament, thinking and thinking, are bound to infiltrate, influence and are reflected in people production and living environment, and the emblem of the generation and development of the culture, but also throughout the formation into the carrier and its characteristics, quality and style of folk decorative arts practice. Out of the whole cultural ecological or cultural background and social psychological investigation, it is difficult to grasp in two dimensions on a deep, wide, understanding and awareness of Huizhou Folk the decorative graphics design culture connotation and characteristics. Decoration, this article refers to both the decoration on the generalized phenomenon, decorative behavior and its results, but also refers to, involved, and covers residential specialized craft decorative techniques, tools, techniques. Based on this, the to graphical symbols Symbolic Meaning of folk decorative inquiry as questions aimed at combing the basic shape of the folk decorative graphics paradigm, characteristics, processes, methods, techniques, explore hiding in the art and spirit of humanistic ideas and concepts under the symbol Implications. Through in-depth study of the soil of culture and heritage features of Huizhou folk decorative graphics, analyze the symbolic language to understand and grasp, inherit and carry forward our traditional cultural emblem, to explore the role of folk decorative graphic symbol of the language in a specific historical background The value to be further explored and demonstrated. Based on the above understanding and awareness, we explained in the introduction to the purpose and significance of the topic, the relationship between domestic and international symbol of related symbols and graphics, decorative graphics, traditional Chinese pattern, folk decorative arts are reviewed, and from the aspect The two aspects of the overall exploration or analytical. So-called vertical, that is, along the historical change and development, combing the origins of traditional Chinese decorative arts, generation, development and pattern, characterized retrospectively prototype to explore the paradigm; called horizontal, is the interception of Huizhou folk decorative arts of the Ming and Qing dynasties Development Summit period shape, paradigm, characteristics, processes, methods, and techniques than its space fully discussed in-depth study. Compare the discussion in Chapter commence around a symbol, a symbol of decorative graphics related concepts; define a common phenomenon in the second chapter of decorative and folk decorative graphics theory and perspective, to explore the relationship between its type and composition , organize, classification and description; Chapter interpretation of cultural implication of folk decorative graphic symbols, from the geographical environment, natural conditions, socio-economic, cultural traditions, artistic spirit, philosophy, ethics, psychological characteristics, values combing and elaborated; fourth chapter focuses reveal the symbol of folk decorative graphic pattern connotation, pointed out that the formation, evolution and history, its meaning is not only a long life and prosperity and affluence and tranquility hope, descendants flourished and longevity of hoping and happy marriage career splendor desire thinking logical result, more tolerance is a virtue, and the historical process of symbiotic and harmonious. These words the mother throughout the discourse, wrapped in paper, permeated with the folk decorative art, the beginning and the end of the spiritual and the material, art and technology, physical and psychological, human and material, as well as public sentiment folk, likes and dislikes better yet, etc. In addition, all aspects of the mother title, is not open around the premise, the foundation and background to explore, study folk decorative graphics Symbolic Meaning.
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