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Encoding and Decoding in John Woo’s Film "Face Off"

Author: WangHongQiang
Tutor: GaoLi
School: Southwest Jiaotong University
Course: Communication
Keywords: Face Off Encoding / decoding Symbol Dominant discourse structure Epitaxy / connotations
CLC: J905
Type: Master's thesis
Year: 2011
Downloads: 70
Quote: 0
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Abstract


John Woo is a famous Chinese director in the world today , he directed many movies is regarded as a classic by many filmmakers and audience blitz . And he and Ang Lee called \In the early 1990s , many Hong Kong director went to Hollywood to seek to develop , with the exception of John Woo to Hollywood recognized achieved impressive results in Hollywood . Important influence on his own unique style of Chinese film and world cinema . \The film won the John Woo awarded the highest honor the nation's ethnic Chinese Foundation for the Arts Circle Award . In recent years , many researchers and academics Hall theory applied to film studies go . The papers from the cross- cultural transmission point of view the use of the Hall mode analysis of John Woo 's success in Hollywood , and \This paper discusses the five parts . The first chapter is the introduction of the problem , research significance, the domestic research dynamic Commentary and innovation of this paper ; second chapter expounds the Hall mode , mainly encoding the views and decoding perspective Hall mode analysis . Brief coding perspective , mainly on the factors affecting the coders coding ; brief decoding perspective , mainly on the three decoding decoding stance ; Chapter overview of the course of John Woo film shooting his movie style ; Chapter movie \The fifth chapter is the movie \

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate
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