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Innovative study on Takeno's writings and Shao Shao gulls to gull props as the center

Author: LiYing
Tutor: ZhangYanLi
School: Beijing Foreign Studies University
Course: Japanese Language and Literature
Keywords: Japanese Tea Ceremony Wu Ye Shao- gull Innovative
CLC: TS971
Type: Master's thesis
Year: 2013
Downloads: 20
Quote: 0
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Abstract


From the history of Japanese tea ceremony of the consensus view, Murata Juhikaru is regarded as the ancestor of the Japanese tea ceremony, Takeno inherited and developed the traditional pearl, after Sen Rikyu is regarded as a master of the Japanese tea ceremony. That is to say, Takeno (1502-1555) is connected with the tea ancestor Murata Juhikaru and synthesizer Sen Rikyu connecting the most important figure. In the first study about Takeno, an important role at that Takeno will appear "innovation" is a word. Learning tea ceremony of the people often said Takeno tea wind with innovation, however, the innovation is embodied in what place, often but not speak in detail. Combing the previous research, the author found that the academic innovation, for Takeno, is still a lack of adequate discussion and rigorous research. Takeno, the Japanese tea ceremony exactly is what reform, what is he to reform the social and cultural background, what's the influence on the later generations and even today the Japanese tea ceremony, etc.? In this release, the author intends to combine their own time is short of the experience in the practice of the tea ceremony, a shallow with respect to these problems. In the first chapter, in order to better understand the reform of Takeno, the author reviews the Murata Juhikaru tea wind, discusses Takeno to inherit the spirit of Murata Juhikaru. Murata Juhikaru from the popular view, from Chinese formal luxury college tea were Japan, created four half tatami size teahouse, built the exclusive space for tea, which has some vulgar tea before pleasure in sexual content, from the previous form college of tea into the Zen spirit, thus creating a "わ liquid tea". Takeno inherited the Pearl "わ liquid tea" tradition, based on pearl tea, combined with its own religious experience has carried on the reform to the tea, and further promote the tea culture of the Japanese localization. In the second chapter, the author Takeno's writing "and ten body thing", from the existing related literature angle, analyzes concretely the reform of Takeno. The innovation is mainly manifested in three aspects as follows: first, the evaluation criteria to some tea form of innovation, which not only adds a lot of Zen interest for the tea itself, but also for future generations of tea to the spread foundation. Takeno was the denial of the "tea" is true of tea culture, put forward the "thin tea" is really a tea, and that the rich thin tea in the spirit is "わ liquid tea" spirit. Two, to the tea cultivation objectives of the reform, which not only enrich and develop the connotation of tea ceremony spirit, but also to the Japanese art and cultural development as well as the Japanese way of life has a great influence. Murata Juhikaru emphasized is the school tea people's own practice, and its different, Takeno advocates focus on the "a" and "issue", pay attention to the tea kiosk in the main induction tract above and guest heart to repair, mutual interaction object emphasized, will be converted to the Mahayana Hinayana self, order, since the degree of him. And the development of the tea spirit connotation of Takeno, today the Japanese tea ceremony, and the Japanese daily life etiquette still has a great influence. Three, to the tea artistic taste of innovation, from the history of the Japanese tea ceremony tea centered tacky, enhance the repair of the spirit of tea taste. Previous "Tang Center Doctrine" tea activities, different degrees of utensil tired, avoid secular odor, Wu 野绍 gull who learnt from three West long learning through song, three West long to "explain" learned swimming song about tea and Fujiwara Joya said, "love in a new first, the word" available to the old are interlinked, trying to use tea to reflect and aria artistic interest from various aspects, as the path to improve the repair the spirit of tea taste indicates the specific. In the third chapter, through the analysis of Takeno's use of the small paper and bamboo tea, from tea set point of view, a detailed analysis of the innovative Takeno. The use of small paper as the teahouse embodies the vision of Takeno. And the aristocratic society three West long respect. After Takeno experience luxury things, recognize the humble people home miscellaneous device has more "わ liquid" beauty, use a variety of bamboo tea, it also reflects the Shaoxing gull on 侘 number sent to care. In conclusion, innovative Takeno in tea props, it is not only the "tea Yi Jing Hangjian de Man" (Lu Yu "tea") in the ancient tea culture in Japan, but also expand the localization of fresh air, suit one's measures to local conditions, developing the Japanese tea ceremony. Finally, in the fourth chapter, the author from Takeno's living environment, religious experience, simply discusses the reform of the social and cultural background. Takeno was born in the commercial development of collapse, although he grew up in the family business, but according to historical records his ancestors were so Shao Seiwa Genji, gulls and can be said to be the descendants of warrior, his spirit and behavior and the time warrior class is. During the middle ages knight class as emerging forces have real power, but not between the political status of the rich cultural heritage. In order to enrich their culture to improve their social position, the samurai class must either develop their own culture, or by learning the aristocracy culture, people make the nobility to improve their social status. Takeno is no exception, he began to follow the three West long learning the song from the age of twenty-four, and this experience formed the basis of his culture, and his spiritual source of innovation. To sum up, Takeno inherited Murata Juhikaru's "わ liquid tea", but not in form, through deepening reform of the "わ liquid tea", is a big tea innovative. The root causes of innovation is his dual identity his merchants and warriors, and learn the song at a young age, have and accomplishment. But because of Takeno's years ago, the legacy of the documents is less, and the authenticity of debate on tea book, want to explore the truth of existence certain difficulty. In addition to the understanding of the Japanese tea ceremony is shallow, the paper still have many deficiencies, hope readers actively impeachment make corrections. I will continue to in-depth study, in order to Takeno's view of the tea and the tea ceremony in Japan have a more profound understanding of.

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