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A Comparative Study of the Italian Renaissance and Netherlandish Renaissance painting art

Author: LvLin
Tutor: HuoXuDe
School: Qufu Normal University
Course: Fine Arts
Keywords: Renaissance Netherlands Italy Painting Dan Peila
CLC: J205
Type: Master's thesis
Year: 2010
Downloads: 240
Quote: 0
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Abstract

Renaissance art, its nature has the same, that they all embody the struggle between the humanist worldview and God as the main view of the world of the human body. However, different ethnic groups in different geographical environment, social environment and the background of the times, but also reveals the respective relatively independent artistic personality creation. Humanistic ideals of the European Renaissance, the most representative place when pushed Italy and the Netherlands, however, both geographical art of painting both from different origins have mutual heritage impact; both different form of painting has a convergence ...... relationship can be described as convoluted. These two places, a comparative study of the art of painting in the Renaissance. This paper mainly focus on two parts of the same and differences are discussed. Same point embodied the spirit of progress in the economic base and paintings of Italy and the Netherlands Renaissance painting kernel: First look at the economic fundamentals, Renaissance Italy and the Netherlands before because of the geographical advantage as the important European Trade Center, resulting in generation of budding capitalist mode of production, the emergence of the emerging public class, resulting in a new cultural needs; Second dominate the core idea of ??the European cultural movement humanism, humanism spirit has obvious class limitations, but the God this theory from negative medieval, certainly value terms, then humanism undoubtedly has major historical significance. Expressed in painting religious painting of the main image has become a natural person of life, myths and legends has become a name only relying on; portraits appeared at the time to adapt to the public sectors of aesthetic and closer to people's livelihood, landscapes and other kinds of painting. The difference is mainly the including Italian Renaissance Netherlandish Renaissance painting cultural context and schemata origins; painter in both technical innovation; specific paintings featured. First, in origin, although the Italian Renaissance by the impact of a variety of artistic tradition, but it is the most important source schema is the ancient Greek and Roman works of art. The Netherlands Renaissance painting is achieved through the improvement and development of late Gothic art; Secondly, in terms of painting technical contribution, the Italian Renaissance is permeated with the spirit of scientism, the invention of perspective in the painting, and the first will be the first theoretical achievements of the human anatomy is applied to create the ideal situation proportion and character modeling, form a rich theoretical resources, and promote the development of the European Renaissance painting; Netherlands for painting technical contribution is to improve the technology of the painting, to overcome Dan Peila painting drying too fast, not easily repeated and detailed characterizations, poor shortcomings of the gloss of the screen, so that the painting technology to mature. In different points of the third part, on behalf of artists and their works of Renaissance Italy and the Netherlands each period: from Giotto to Titian, through the efforts of generations of artists, the Italian Renaissance to create a typical idealized characters. This image both elegant posture, symmetrical proportions and beautiful face has become a model for the later Western classical painting. Through the analysis of Van Eyck, Bos, Berube Gaelic masterpiece, we can find Netherlandish painter not interested idealized image, but the reality of the real. Through this comparative study, reveals a different phenomenon and phenomenon behind two of the most important areas of the European Renaissance painting showing the same economic basis as well as the ideological core.

A Comparative Study of the Italian Renaissance and Netherlandish Renaissance painting art

Abstract

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