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With the development of technology, visual culture and gradually overcome the printed word culture has become an indisputable fact . Looking around us , movies, television , theater, photography, painting , fashion , advertising, image design , online audio , picture books , physical , etc. have been involved in the construction of this culture in the past, and became an important symbol in the form of visual culture . Movies as the current visual culture is very important as a form of representation , which means the power of technology to produce visual effects , and create a visual spectacle to the audience to sensory stimulation and visual impact to win the box office , and gradually completed by the traditional ' narrative film . \to modern \China currently three places ( mainland China, Hong Kong, Taiwan ) films also showed this trend , the paper attempts to present both sides of the three Chinese films of different visual cultural wonders for the study, a comparative study culture and ideology , which is seeking deep cultural connotations. The first chapter describes what is the main contemporary visual culture and visual culture shift . The second chapter focuses on China's current three places ( mainland China, Hong Kong, Taiwan ) films of different visual cultural wonders ( combined with video ) , respectively, from the color spectacle , action spectacle, spectacle scenes , technical wonders, wonders of the body and sex , horror atmosphere wonders and other aspects of description and analysis . On this basis , the third chapter of the Chinese current three places ( mainland China, Hong Kong, Taiwan ) films of different visual interpretation of cultural wonders of cultural analysis , to identify similarities and differences . Finally, the fourth chapter will be meaningful interpretation of this phenomenon .
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