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A Comparasion between the Playing Versions of Beethoven’s Piano Concerto NO.1 in C Major

Author: ZhengTian
Tutor: ZhangWenChuan
School: Hebei University
Course: Musicology
Keywords: Played version Playing style Second Creation aesthetic principles Comparative analysis
CLC: J624.1
Type: Master's thesis
Year: 2008
Downloads: 69
Quote: 0
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Abstract


The great German composer , pianist Beethoven's life in creation of a large number of outstanding works of contemporary and innovation in the creative approach , the outstanding representatives of the Vienna Classical Music , more Baroque music to neoclassical music milestone figure . In the the five Beethoven Concerto in C major Piano Concerto \Although many shadow of Mozart and Vienna traces the concerto , the recitation - standstill in the second movement, and freedom of rhythm structure , and the third movement of humorous banter style and composition techniques can clearly see Beethoven's original spirit initially apparent romantic style, has opened a new era of romantic music . Aesthetic principle of the second creation of musical performances of Beethoven's \standards version and contrast similarities and differences , and to analyze the reasons for the comparative study found that a variety of factors to explain the diversity and the impact of the second creation playing style version of the revelation of contemporary piano music . This study the majority of music lovers playing reference value , and Beethoven's C Major Piano Concerto \

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CLC: > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano
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