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Busoni transcribed Bach Chaconne solo violin in d minor from the Partita No.2. In numerous "Chaconne" transcriptions of Bach, Busoni’s piano transcription is relatively well-known one. Busoni instrument will perform the works from the violin to the piano, in the basic framework to retain the original, based on its sound and material on the restructuring of the entire piece more magnificent grand, soul-stirring.Busoni respects Bach’s original for the structure of the body with a clear three sections, and uses style of partita to develop the theme like Chorale Variations so as to call for a thirty-nine variation with a simple theme of eight-section. Variation of styles, themes for development of materials, but also singing style lyric melody, but also a distinctive Toccata paced style of dance content of these materials or contrast or echo driving the development of music. In this paper form in the form of detailed work by various small paragraphs, concise, so that the reader quickly understand and grasp the "Chaconne" structure.In addition, for the consistently controversial problem of using pedals in Bach’s work, there will be a separate section in this paper, studying it with the case of spectrum. As the song has a transcription of this special status, with Busoni on the idea of more scientific use of the pedal, and Busoni the deployment of considerable originality in the pedal, he is into the pedal notes, not only with its polish is more like to play with the pedal. Busoni’s works are mostly transcriptions, expected by the "Chaconne" conducted a comprehensive analysis of performance for research and provide interpretation of Busoni’s transcription of other ideas and research directions.
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