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Analysis of Chinese Oil Painting Nationalization

Author: ZhangMan
Tutor: ZhangGuoQiang
School: Zhengzhou University
Course: Fine Arts
Keywords: Chinese Oil Painting Nationalization Local culture
CLC: J213
Type: Master's thesis
Year: 2010
Downloads: 253
Quote: 1
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Abstract


Century oil painting in China, the development process, the oil nationalization is always a topic of everyone’s attention. Chinese Oil Nationalization direction and the need for nationalization of oil in China has been the subject of our argument. Currently, about oil nationalization of the many, many well-known theorists have put forward their views, the views of everyone on the nationalization of oil painting is also different. Xiwen that:"(To make painting) is not always an exotic things up to make him richer, more deeper the love the people, the future, we must not only continue to grasp the diversity of Western oil painting techniques, play the performance of various oil painting, and take it over absorbed through digestion into their blood, that make the external forms into our own thing the Chinese nation and is its own national style. "①For the arts, the only national, is the world. Therefore, I believe that China Oil Painting is an inevitable trend. A Century of Chinese oil painting Chinese oil nationalization process is actually a process of development is a continuous integration of traditional Chinese culture in the process of painting.First, discusses the theory of traditional Chinese painting and oil nationalization aesthetic reality of customary soil. Second, discusses the four periods of Chinese Oil Painting Exploration. First period:to bring oil to the reform of traditional Chinese painting as the original intention of the embryonic period; the second period:that the workers, the public service for the purpose of turning point; the third period:the language of Western painting and Western culture, full absorption of the multi-period; fourth period:the development of rational thinking the direction of China’s booming oil nationalization period. Background of these four periods, and the development of Chinese Oil Painting Oil Painting was done to explore a comprehensive analysis and summary. Then, Wu and Zao discussed China’s oil nationalization two masters contribution.Finally the conclusion is:the development of Chinese oil paintings is the development of China’s oil nationalization, is a China’s continued integration into the local culture in the process of painting. Local culture in the soil of China, after several generations of painters who continued efforts, China has created a lot of oil contains the spirit of traditional Chinese culture and aesthetic taste of the work. These paintings form and technique, from the Spirit and Charm to have a sense of national characteristics, while maintaining the quality and features of the canvas. These full of national characteristics, national spirit, national style of Chinese painting by the world recognized the status of the Chinese oil nationalization has been established, but also for the development of China’s oil nationalization created a new direction.

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CLC: > Art > Painting > Painting techniques > Painting techniques
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