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On the characteristics of Tujia Folk Songs

Author: WangGuiFen
Tutor: WangHua
School: Central University for Nationalities
Course: Principles of Education
Keywords: Xiangxi Tujia Folk song Concert features
CLC: J616.2
Type: Master's thesis
Year: 2010
Downloads: 182
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Abstract


Xiangxi, which is a mysterious place full of temptations, a multicultural place, a set of Tujia, Miao, Bai, Dong and other ethnic musical culture in one of the treasure. Which is a very ancient Tujia ethnic population, has a far ancient dance culture, when there is documented as early as Wuwangfazhou. Tujia folk songs has a long history and unique charm. I was brought up living in Zhangjiajie, Hunan Tujia folk songs on the familiar, but also by its deeply attracted: That loud high-pitched folk songs; graceful lyrical minor; that touching wedding song; mysterious obscure songs, Tima etc., are in my mind to lay a deep imprint. At the same time, I found Xiangxi Tujia folk song has its own unique singing style: a lot of singing in vibrato, Boeing, portamento, according to sound, etc. Runqiang, and said with singing cleverly combining processing, making folk songs without losing the rough etiquette ; minor lyrical lacking in pungent, always highlights the Xiangxi Tujia strong, optimistic, enthusiastic, frank yet delicate personality. I, as the Tujia people, Tujia have loved music, especially for one of the songs, has a very deep feelings. Faced Tujia folk songs sung dwindling situation, the author as a vocal learners and researchers, deeply has the responsibility and obligation to do a bit of work to this end, which is where the purpose of writing this article. In this paper, historical, comprehensive literature, folk songs as well as information on the author's many years of experience singing songs Tujia-based, national music theory and related method of national vocal singing as the support of the characteristics of Tujia folk songs, singing style to do a discussed in more detail. The article is divided into four parts, the first chapter briefly describes the origins of Xiangxi Tujia, geographical and cultural customs, and a comparative analysis of methods discussed Tujia folk sources; second chapter introduces the Xiangxi Tujia folk songs type, with inductive deductive method described its various folk lyrics and music features; Chapter III clarifies Tujia folk singing various forms, with the method of summarizing, for some special concerts, such as: wedding song The tearful, folk songs thrown in the cavity, Tima pan tone of the song singing, as well as all kinds of folk songs in Xiangxi Tujia and vibrato intensive treatment, Boeing from sparse to dense, such as before and after the extension by voice singing style, made a discussed in more detail; concluding section describes accurately grasp the local culture Tujia folk songs for singing the necessity, as well as the status of the author for the Tujia Folk Reflections and proposals. Xiangxi Tujia folk song has its own unique style, but folk songs sung every situation Kusakabe, some of which have even been songs endangered species, non-material cultural heritage protection requirements are very urgent. I hope that the community understand the Xiangxi Tujia folk style of singing, folk singing to appreciate its charm, protection of intangible cultural heritage, and promote Tujia folk songs continue to develop, so Tujia folk songs in the folk world bright galaxy forever discharge Guanghua.

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CLC: > Art > Music > Music theory and methods > Theory of voice production > Singing France
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