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The Study of Liu Xizai’s Literary and Art Aesthetics Thoughts
Author: LiuWei
Tutor: ZhangGuoQing
School: Yunnan University
Course: Aesthetics
Keywords: Liu Xizai Art takes Literary aesthetics
CLC: I206.2
Type: Master's thesis
Year: 2010
Downloads: 45
Quote: 0
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Abstract
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Liu Xizai (1813-1881), a famous scholar of the late Qing Dynasty, literary theorist and educator. Literary theory, linguistics, pedagogy, mathematics, astronomy and other aspects related to his writings, of which the most important is the the literary aesthetics Thought he expounded in the writings of the \This paper attempts from literary essence theory, the theory of creation of the main theory of artistic expression, artistic innovation theory and art appreciation On five the literary aesthetics thinking of Liu Xizai overall grasp. Chapter Art ontological. Liu Xizai first proposed the \the relationship of the arts is the content and form of the relationship. Secondly, \The second chapter of the creation of the main theory. Liu Xizai Wen, Xin Xue \In his view, it is necessary to enhance the quality of their own creation subject in order to create outstanding literary and artistic works. Thesis from Shutoku, raise gas, held the zhi three fronts discussion and research. \Chapter art representationism. Liu Xizai first to recognize that the law of composition of Literary and Artistic Works, he proposed a \Secondly, he recognized that any outstanding literary works of art are \The papers were \Chapter artistic innovation theory. The Liu Xizai first proposed the \Secondly utilize ancient able to change the point of view of the ancient \for the purpose. Once again, he put forward to explain predecessors issued expand previous unpublished \Finally, Liu Xizai proposed innovation, the paper mainly talk about \On the fifth chapter of art appreciation. Liu Xizai first saw readers in the literary and artistic acceptance process is not entirely passive, but dynamic involved. Noting accept the body of the work according to their own preferences, choose to accept, noted the relationship between the reader's life experience, mood, and other factors work value generation. In fact, this has come into contact with the substance of Western aesthetics. Second, Liu Xizai \
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