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"Light", as a kind of unique effective visual language, avers has been played an important role in the painting, present a unique charm, affect the development of the painting in the western painting has important role. Western painting to light use and performance in different historical stages presents different artistic appearance, the light as its important painting language also happened in the history of change. The light in the western painting is how to use and play what role, this article is divided into four chapters at analysis and research:The first chapter. Through the analysis method, know the light in western painting in exploration, interpretation of the light in the western painting features in the different historical period, apply and influence.The ancient Greek philosopher Aristotle period of "imitation of European painting art said" has produced significant influence, laid the foundation of traditional realism. In order to pursue the depict the authenticity of the object, light into the painting, and gradually become artists actively explore language. The performance of the light is in the Renaissance made great achievements, ancient Greek art reference; The artist’s actively explore new material to the appearance of the techniques; The development of science and technology, is the crucial factor. British physicist Isaac Newton 1676 do famous prism experiment, from now on the research to the development of the optical a new stage, and the theory of real scientific optical system used to paint in a performance object, until two hundred after DuoNian impressionist to finish the great historic mission.The second chapter. Through the contrast method, this paper discusses the different historical period, the western painting masters of the use of light and the evolution of the artistic style.Renaissance of Vinci, to light began to have a clear understanding of light and shade, use "gradual method" to build the atmosphere of the picture. As the important realistic painting factors-light, became the important research objects of artists, realistic painting in this period made great advances, form the characteristics of light and shade painting-modelling method. Caravaggio, Joe, found the light and the source of the light source direction and specific draw the projection place, make the picture with the visual effect of habit. Rembrandt was seeking this kind of intense light and shade contrast effect, will light and shade contrast to acme. Newton found seven color spectrum use prism founded theoretical system, of light color developing the colour chemical, color the development of physics, the enlightened directly to artists of color contrast to the attention of the impressionist, produce.From Renaissance Joe torre, reach·Vinci to light of the baroque period for reference, art caravaggio, Joe, Rembrandt light use and sublimation, to the monet light color revolution impressionist influence on later generations, in western painting light to the maximum performance.Chapter 3. Combined with light and space, light and color, light and texture analysis of the influence of light painting and the corresponding paintings performance. From the perspective of space modelling, to light color science theory system of the color relations, to pursue the real simple sense, is we to western painting language "light" and recognition of artistic style.Ancient Greek "imitate said" laid the foundation of the realistic painting, the light to painting. The Renaissance of Greek art for reference, the use of new materials techniques, the development of science and technology, make the realistic painting gradually mature and twice plane reproduce the realistic painting stereo image-space. The real meaning of light color displays in western painting history to 19 centuries to really do it, impressionist pulled open this great fully expressed the light color prelude to experience. Because the absorption of light by and reflex different, appear in our eyes phenomenon also different. In order to describe object sense of reality, so simple sense has been artists explore art of a painting language.The fourth chapter. Impressionist intoxicated in light and color change and weakening the form, and not to increase in the picture subjective factors impressionist later artists use of this kind of subjective factors, directly led to the reconstruction of the objective reality. Is visual art for the 20 th century ontology, photography, film, the emergence of new art to original art production in the form of the impact, reflected the art of innovation development rule. Don’t take it for granted any traditional of consciousness, and the result caused a fundamental revolution, a new painting gradually formed aesthetic.Contemporary art master’s giorgio absorbing traditional nutrition update, the light in the contemporary light concept art master’s not is pure of visual language and become a painting of the element, directly on the modern painting have great influence on the style.
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