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Under the Image Changes in the Oil Painting Creation Expression of the Visual Tension

Author: ZhangHuiJie
Tutor: HouZhiJiang
School: Hebei Normal
Course: Fine Arts
Keywords: Shelf painting Modern process Pictorial turn Visual tension
CLC: J213
Type: Master's thesis
Year: 2011
Downloads: 63
Quote: 0
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Abstract


Modern art, these years can attest: image replication with existing painting resources misappropriated become a new creation phenomenon directly associated with the huge impact of the huge conversion of cultural backgrounds, as well as the foreign culture and new media art. The modern shelf painting process tells us, almost the same form of artistic expression or style long enjoy the feel boring of the time, often requires constant innovation, or stylized aside aesthetic mode, so a variety of skills and performance practices adapt in order to establish a new video and a new aesthetic style, in order to meet the new demand for public viewing. Outstanding artists, then, is how to angle their concerns through the unique language of painting to convey the concept while enlightening people's thoughts and words and deeds? Point is very important, that is, from the screen with a strong visual impact and sense of expansion rhythm of work is one of the criteria to judge a good oil paintings. Therefore, I aimed through the analysis of the concept of Chinese and foreign works of visual art and artists, to really dig painting language of the establishment with the issues of concern, and the problem of social adaptation solution that is the argument of this paper, \tension \Contemporary easel painting, how to achieve the objective images and image resources rational grasp of how to make their own oil paintings and the viewer more accurate communication, then it needs a deep-level mining visual tension in the steering of image better screen play its valuable point. Paper is divided into four parts: the first chapter of the concept of the \significance. The second chapter analyzes the image era since the 1990s into China. Image steering rack painting borrowed heavily from the new phenomenon of image resources. The author through pictorial turn under the current tendency of contemporary oil paintings as well as the confusion that oil paintings must start from the body language of painting, modern oil paintings of all practice the process behind the visual tension hosted, which clarifies the author point of view - the visual tension concrete expression in the painting process of modernity. Chapter-depth analysis of domestic and international modern oil painters works and ideas, from the use of the image data, the internal form of three external factors described \To further prove the author's point of view. Chapter IV summarizes the visual tension oil paintings performance philosophy graduate attention during Hou Zhijiang idea of ??their own work in the process of creative practice in recent years this view, to put forward the principles of my creative with this concept I read the impact of the research work during and after the creation of road.

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CLC: > Art > Painting > Painting techniques > Painting techniques
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