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Exploration of Materials Research and the Art of Body Painting

Author: LiPeng
Tutor: ZhangWeiHai
School: South China University of Technology
Course: Art of Design
Keywords: mixed media form body painting art conceptual
CLC: J205
Type: Master's thesis
Year: 2011
Downloads: 149
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Abstract

After 20 years of the 20th century, high technology and the rapid development of industrial civilization and the rapid advance of scientific theory to promote exploration of knowledge between different disciplines involved with each other, blend. Same is true in painting art, multi-media materials, intervention, the concept of intercourse and a variety of cross-border areas makes the painting to fuzzy boundaries between species and even digestion, so the painting at this stage to integration is not a material kinds of speculation, is the extensive use of long-term future as a form of artistic expression.Composite materials used are common to many features of contemporary art in the schools through a variety of styles and choice of materials did not take long, formed by the complex development of the arts, the difference of material, form of expression, language expression, the picture been renewed emphasis on contingency. Artists use a variety of materials to express their ideas and thinking, attention to form and in the form of innovation.In this paper painting around the body, an integrated material and form the main line, from the perspective of practice and theory of argumentation: towards comprehensive painting why? How to become the main material? Composite materials and application methods, comprehensive materials show in the form of visual significance, and through the comprehensive material in the form, material properties and other aspects of practice and exploration research on the subject in Chinese Easel Painting loss and return, re- structure for his own views.This total is divided into six parts.The first part of the brief account of the origin of topics, and the core concepts related to this article to be defined. The second part discusses the art of the concept of change, shape and color to explore the end of the language system, the need for emotional expression material properties, material updates, the restrictions of traditional materials and materials to self-expression by the vector of the process to elaborate paintings to integration, material as the main necessity. The third part of the material through practice the language of artists and their interpretation of research results, combined with my research on the synthesis and works to clarify the application of materials, methodology. Part IV describes the synthesis of the visual display in the form of meaning. Part V of form, techniques, and discusses the practice of combining synthesis and significance of the analysis, the main Chinese Easel Painting loss and regression to reconstruct for their views. Part VI, as the article’s conclusions.

Exploration of Materials Research and the Art of Body Painting

Abstract

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