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Peking-writing Since the 90’s of the 20th Century

Author: YeLingZuo
Tutor: ZhuShuiYong
School: Xiamen University
Course: Contemporary Chinese Literature
Keywords: Peking-writing Urban space Language system
CLC: I207.42
Type: Master's thesis
Year: 2008
Downloads: 143
Quote: 0
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Abstract


Peking-writing has two specifications: regionaliy and literatury. It reeks of strong charm of Peking literature from its text. With the writers’ hands, the Peking-only experience of life and emotion, the logic way, the imagination of Peking, memory and determination of value are showed, the view of Peking is described and the city spirit of Peking is expressed. This paper is going to discuss these specifications of Peking-writing as following.The whole paper is divided into four parts.In the first part, from introduction to chapter I, definition of Peking-writing is given, the tradition of Peking-writing which traces back to Lao She, and the study of Peking-writing from 1990’s are arranged. Idea of researching Peking-writing from 1990’s, which takes Wang Shuo, Qiu Huadong and Xu Kun as examples, is raised, and its possibility and creativity are proved.The second part, from chapter II to IV, is the connotation of Peking-writing which takes these three writers as three angles of view. Wang Shuo represents the Peking-writing of old urban area proper within the ring road II and expresses its unique sense. His tone towards the special language system of literature proletarian shows the virile language writing which is full of politic requirement. Qiu Huadong represents the Peking-writing of the business district within the ring road III. It mainly describes the Peking who is in the process of internationalizing, and presents the writing feature of Peking material desire. Xu Kun represents Peking-writing of intelligentsia concentration within the ring road IV, which shows another language system in spirit area.The third part, chapter V, is the aesthetics style of Peking-writing in the comparative area. Shanghai is a feminine writing space which is rich of sensibility and aesthetic feeling as well as focuses on daily life. However, Peking-writing is sturdy and rough, full of strength. It has acuminous discernment towards literature, politics and revolution. It tends to state in a wide range with the spirit of vanguard and treachery. Peking-writing always comes with strong regional language feature. Peking-characteristic language literature is a part of Peking literature value system. Shanghai-writing is not so fancy on the linguistic penetrability towards literature, but presents quantity of topics and skills.The forth part, the conclusion, introduces the overlap of these three writers and differences between them. It concludes Peking-writing’s feature, source and future.Peking-writing has a long-history tradition which is the wealth of China’s modern literature and that of 1990’s presents varied appearances. However, Peking-writing represented by Wang Shuo, Qiu Huadong and Xu Kun is on behalf of the individuality of Peking-writing in that period. Takes these three writers as examples, this paper researches the connotation and aesthetic style of Peking-writing in comparality area, and serves brand new way and angle of view for urban literature.

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