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Bin White is an integral part of the opera literature and opera , and said, \But because of the history and some of the reasons for their own development , the people of the Spoken concern less drama theorists Bin White is not much , resulting in a lot of research in the field of Spoken unsystematic . In this paper, the Spoken study to sort out on the the Spoken Language rheological and theoretical research trajectory , and aesthetic features and art functions to summarize sought on the scope of the concept of the Spoken make a clear definition and systematic combing . The body consists of four chapters . The first chapter is the definition of the concept of the Spoken discusses Spoken meaning , creator of the dispute , the type of the Spoken and the difference with the nickname . The second chapter Bin White rheology . Analysis of the Spoken total change in the development of three historical stages in the Yuan, Ming and Qing dynasties , the Yuan Dynasty in the Bin White popular true colors , Bin White Ming legendary Drama presents elegant Characteristic and Qing Bin White Scholarly legend and Drama more obvious , including infiltration of Confucianism, Buddhism and Taoism . The third chapter discussed mainly from the point of view of the Spoken aesthetic features . Opera language , the Spoken requires action and personalization features , in order to promote the development of the story and characters shaped . In addition , Bin white to distinguish it from Western opera language , has a certain sense of rhythm and music . The fourth chapter analyzes the Spoken functional performance . White narrative , the narrative is one of the main features of the Bin White . The song Shiraai associated , White also has a regulatory function and singing folder concept white Entertaining emotional catharsis function .
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