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The Process of the Temple Fair’s Inheritance and Performance Which Is Examined from the Perspective of Public Culture

Author: ZhangRuiDi
Tutor: HuangTao
School: Wenzhou University
Course: Folklore
Keywords: Modernization Matsumura alone Hu recognized the Great Faith 胡公庙will Authenticity Refinement of
CLC: G122
Type: Master's thesis
Year: 2011
Downloads: 182
Quote: 0
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Previous ideological heritage with performances situation since the beginning of the 20th century, Zhejiang Province, Yongkang Fangyan town alone the Matsumura Hu Gongmiao will case from the perspective of public cultural theory, since the New Culture Movement in the early 20th century folk beliefs are and social change for clues by analyzing folk beliefs by the traditional public cultural period, to be as backward edge culture in recent years by the declaration of non-material cultural heritage into the sky again trying to return to the public culture of the country institutional development path, trying to figure out since modern China the temple culture heritage with performances the evolution mode as well as protection of folk beliefs strategy. The text is divided into five parts: The first part of the introduction, the status of the significance of the topic and the subject of this article, the source of this material, the basic idea of ??the article, the last village - alone Matsumura overview of the focus of this article introduces. The second part discusses the evolution status of the of Great faith Hugong kernel as Hu Gongmiao will: Since the beginning of the 20th century, under the influence of the forces of modernity, Hu recognized the Great faith from a certain extent, as the local people. spiritual, the government claims reversion process since the 1980s to become abandoned by mainstream ideology behind things, to evolve into. This course is also Hugong Great Faith again from the loss of public cultural identity to the efforts to restore public cultural identity. The third part to Fangyan temple fair as a part of the reality of everyday life of the people of the traditional period to modern times changed from \government, intellectuals and other outside forces temple fair Ritual Change. The fourth part of the main temple fair in each other rock art authenticity of the show to keep with the problem of the status quo is elegant, called for emphasis on the the folklore performances of this we should be in the process of non-material cultural heritage protection true protection, to minimize the possibility of the emergence of folk art performances be gentle. Part V of the conclusion, based on the summary of the full text, declare a national non-material cultural heritage folk beliefs to be recognized as a national public culture of the fast lane, to maintain its authenticity and how government intervention under the temple fair discussed.

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