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Traditional Decoration Language in Spacialism Design Contemporary Explanation

Author: WeiYong
Tutor: FanJun
School: Central China Normal University
Course: Literature and Art
Keywords: Traditional decorative language Space Art Design Semantic Present Transformation
CLC: J50
Type: Master's thesis
Year: 2008
Downloads: 157
Quote: 2
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Abstract


The current worldwide economic, cultural fusion, further accelerated the process of globalization, cultural and artistic vocabulary between countries gradually convergence, in particular, is strongly influenced by the convergence of cultural space for art and design, so we lost a lot of traditional design language the timeliness of heritage and development. We design gradually abroad through direct or indirect means awareness, the design language also has the \The national culture commensurate look. China in recent years in the space of Art and Design and achieved certain results, however, ignored in works of art and design in a variety of space dissemination of objects of cultural background and aesthetic habits, simple imitation and blind Western \language aphasia has been the norm, I do not know the identity of design culture normalized. Faced with this dilemma, the stimulation of the Western culture, an important response to one of the ways taken as contemporary space art design, namely the use of a combination of traditional Chinese decorative language and spatial interface to highlight national identity, and widely response. But in this development process is also more highlight, this article is the development of the theory of dependency on this analysis and problem-solving ideas, methods. Traditional decorative language resources effective use of space for art and design research process, should stand at the height of the culture, to think about globalization, contemporary and traditional regional culture inherent correlation, based on the spirit of traditional culture imagery, traditional decorative form, as live the life of the body, it is necessary to see a traditional decorative form of cultural and historic side, but also see traditional decorative form of universality and transcendence, focusing on the traditional re-integration and traditional cognitive spirit concisely, based on the design spirit concisely decorative language development in order to achieve the organic integration of the decorative language and spatial interface. Held \Thus, to use of good traditional decorative language at a deeper level, the tradition of innovation in order to create the nation's new wind in the design context of globalization. The necessary premise space for art and design success meet specific functional requirements of the space, and get some form of beauty. The deep significance of the design is the \Traditional decorative language to convey the semantics based on social convention, through a reasonable structure arrangements analogies in space, in order to achieve the moral of the space environment emerged. Thus the traditional decorations language in contemporary space use, not only visually pleasing form performance, and semantics of the language to convey through traditional decorations, thereby enhancing the spirit of the content of the space, and enhance the culture of the space to achieve continuation of context.

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