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The Study of Zong Baihua’s Paiting Theory

Author: LinYingMei
Tutor: HeLinJun
School: Hunan Normal University
Course: Literature and Art
Keywords: Zong Baihua painting theory life
CLC: J205
Type: Master's thesis
Year: 2008
Downloads: 169
Quote: 0
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Abstract


This paper attempts to fully analyze and study Zong Baihua’s painting theory. There are four parts as following:Firstly, it illustrates the philosophy, aesthetics and artistic basis of Zong Baihua’s painting theory. Zong Baihua established his own philosophy system with national characteristics by combining the western modern life philosophy with China’s traditional life philosophy, especially The Book of Changes. Zong Baihua’s painting theory has profound connection with Taoism esthetics and Zen Buddhism esthetics and is influenced by Taoism which advocates natural, free, Qi, and combination of delusion and reality, and artistic conception and emptiness beauty of Zen Buddhism. Zong Baihua formed a systematic artistic thought, under which he probed into painting theory and obtained many unique comprehensions.Secondly, it mainly discusses three aspects of Zong Baihua’s painting theory: the comparison of the skill of drawing between west and east; artistic conception and vividness; the spacial consciousness. Through comparison Zong Baihua emphasized the unique appreciation character of China: the beauty of building, music rhythm, and dancing. Artistic conception and vividness is the classical proposition of China’s drawing theory. Based on the fruits of the forerunners, Zong Baihua proposed that the artistic conception and vividness is "the rhythm of life" or "rhythmical life". Zong Baihua summarized the differences of spacial consciousness between west and east, and studied from the perspectives of world outlooks, philosophy and psychology of national culture.Thirdly,it deals with the cross-culture comparison characteristics ofZong Baihua’s painting theory.Zong Baihua seldom directly refered to the method of comparability, but he would made use of it unconsciously, what’s more important is his insistence of equal conversation position.Last but not least, it concerns the relationship of Zong Baihua’s painting theory and poetics in the western and eastern world. Mr. Zong not only caught the essence and soul of China’s traditional poetics, but also was deeply affected by western poetic to some extent. He inherited the perceptive thinking and poetic expressing way of China, which is mixed with the rational thought of western poetics, and absorbed some views of western poetics organically.

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CLC: > Art > Painting > Painting theory. > Drawing reviews,appreciate
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