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The Discuss of the Left Dram Struction Inherits Traditions

Author: WanHaiYang
Tutor: SunJiLin
School: Shandong University
Course: Contemporary Chinese Literature
Keywords: left wing drama structure narrative
CLC: I207.34
Type: Master's thesis
Year: 2008
Downloads: 57
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Abstract

Left drama multi-angle, multi-level review of a drama and public relations, exploration, and summarized a wide range of popular form of drama and adhere to the non-governmental nature, based on this drama through art practices from abroad, China; domestic theatrical fusion performance means to convey the spirit of modern life feelings and ideas, resulting in a revolutionary, national and localization of the reality of the practice of modern Chinese drama build the basic idea. In this theory, under the guidance of drama consciously left shoulder in the China Foundry Banbianjianbanshiminde modern national spirit of the historic mission, ideology vulnerable in the face of adversity, breaking the political realities set up obstacles to the people&39;s democratic Modern concept of universal spread to the public middle, in seeking to meet the broad masses of the people rich and varied and constantly changing aesthetic needs, but it also has its own drama to change and development, promoting the self-reliance of China and modern drama and mature. Left on the popular drama on the theory and art practice, the development of China& at39;s modern social and artistic progress made outstanding contributions made an indelible historical contributions.This article first chapter introduces the Western concept of the stage two different model structure and discourse. The opening of the opera stage concepts, theatrical performers and the audience the author of identity and its vision of the virtual performances. Fixed terms between Italy and the weak capacity of narrative structure of the mode of discourse constitutes a western concept premise of the art of drama. Western drama limitation and quot; under the guidance of the direction of realism, resulting in the closure of the arena and the display mode of discourse. In the context of multi-horizon opera actor and author of the audience from the beginning. Chapter II focuses on the structural characteristics of left-wing drama and traditional opera in the structural similarities. Left drama structure similar to the traditional opera stage open concept, a lecture-performance forms. Lack of a pluralistic vision of the traditional local opera, and not just the impact of the international left. Specific form of the structure of the dualistic structure model figures profiling conceptualization and the whole structure of a non-sexual. The third chapter on the leftist drama on the stage of the successful practice. Bear West Dover Test and the success of other performing troupes and advocacy role in the concept stage and opera morphological similarities and aesthetic interest pandering to the public. Chapter IV of this structural model and the causes of the contemporary Enlightenment brought us. The deep-rooted traditional culture, the audience appreciate the heart of the inertia and lack of support for the vision of political pluralism and cultural environment, and the urgent need for political campaigns. A pluralistic vision allow the existence of different opinions and debate is a difficult proposition long-term culture.

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