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National Grand Theater Beijing urban space imagine

Author: LiJianLei
Tutor: TaoDongFeng
School: Capital Normal University
Course: Literature and Art
Keywords: National Grand Theater The nationalism power aesthetics Consumer society Capital Regional Globalization Tradition Elite Fun Volkswagen interesting
CLC: TU242.2
Type: Master's thesis
Year: 2008
Downloads: 238
Quote: 1
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Abstract


The early 2000s, the National Theatre as the era of cultural events caused lively discussion of the people, no doubt has demonstrated its implication of strong ideological factors, the country, the nation, and even demands of the times, then, through the National Grand Theater to reveal the early 21st century urban modernity intricate relationship allows us to more clearly understand the current state of life and meaning to life. This paper is divided into three parts. The first part of the analysis of the social and cultural context, and the National Grand Theater in Beijing urban space turned out a new imagination about the Beijing urban space, the focus of the analysis focuses on the analysis of the period of socialist market economy, and the social and cultural conditions, the era of globalization, consumer that due to the impact of the implementation of the socialist market economy and globalization, consumerism, China has entered a new historical stage, in this stage of history, gradually entered the era of the socialist market economy from a planned economy era, political democratization process after 80 years after the thaw progressive development within the various fields of economy, politics, culture also presents diverse and heterogeneous tendencies split, but it is undeniable that the basic political rights of the masses of the people in this historic transition phase, not effectively implemented, the democratic system is not sound, coupled with consumerism swept in the name of globalization, presented the basic characteristics of this period of social indifference of the public about political consumption and leisure fanatical chase, the National Grand Theater is in this social and cultural context across Beijing's skyline, standing in front of people, so that the imagination of the people for the Beijing urban space represented by the Forbidden City, Tiananmen Square, the majesty of the power of discourse steering hybrid power consumption represented by the National Theatre. The second part of the value of the demands of the different stakeholders dig conflicts intertwined and entangled in the National Theatre this new urban space imagery. I'm in the paper will mainly analyze the aesthetics of the building of the National Theatre, the decision-making process as well as the position occupied into the spirit of the East China Political Science, the National Theatre is a symbol of the presence of state power, such a bold building, its body is the West's post-modern, and its soul is the spirit of nationalism in the East China, At the same time, as the image of the \far, during disputes with globalization and the impact of traditional and stick, also indicates that the Chinese government to embrace globalization, open and broad minded. The double write, elite the elite narrative with mundane desires of the public also has the National Theatre as one of the everyday life aesthetic space for the imagination of the city showing the fun of an elite, elegant, fashion, Kant's aesthetic temperament become their consumer city space guiding principles, the public sectors of the city's imagination is trivial and fragmentary everyday life has become the center of attention. The third part of the analysis of the different stakeholders in the National Grand Theatre in December 2007 and put into use for the use of the space. After the opening of the National Theatre is the state power provides a space of political and cultural propaganda more effective tool to be seen as a form of social control, stressed its enlightenment function of the discipline, the National Theatre for the public to public life and consumption and leisure laying a platform for all levels of the public enjoy the visual feast, but the cultural practices of daily life inside the Grand Theatre space can be transformed through the consumption patterns of the crowd.

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CLC: > Industrial Technology > Building Science > Architectural design > Civil > Public buildings > Cinemas, theaters, concert halls
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