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The Research on the Stature of Clothing of Shanghai ShuYuChangSan in the Late Qing Dynasty

Author: LiJun
Tutor: BaoMingXin
School: Donghua University
Course: Art of Design
Keywords: Late Qing The book寓long three Apparel Compatibility way Image
CLC: TS941.12
Type: Master's thesis
Year: 2010
Downloads: 45
Quote: 0
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Abstract


This paper aims at the image of the late Qing Shanghai written word long three costumes and literature studies, the description and analysis of this period (1860-1911), the basic characteristics of the written word, dress image. Concepts, principles and methods of the paper application design art, history, clothing, science, statistics and other disciplines, mainly text data kind graphic and expert interviews confirm each other. Written word as long discussion of the late Qing period three formal and informal daily dress costumes. The study of this period the written word as long dress image, but point peep surface study based on specific occasions, is to supplement the lack of historical research from another perspective. This paper mainly study text information, which is particularly important textual explanation is the Courtesan novels \Picture literature \Physical analysis Costume Museum of Textiles, Donghua University, Metersbonwe Museum and the private collection of the late Qing Dynasty Women selection, as a corroboration of the study of literature. Illustrations, supplemented by in-kind, this study focuses on the clothing style of the wearer, compatibility, color, occasion analysis, summarized some of the basic characteristics of the study the late Qing written word, long three dress image. Than their low-class brothel woman as well as her maid costumes are not within the scope of this study. The conclusion is as follows: 1. The long written word in the Late Qing costumes compatibility multi shirt skirt and blouse and pants shape men wearing women and Western-style clothing there, but not the day-to-day dress clothing. Majority of the Qing Dynasty in both the written word or the general public to the shape of the shirt and pants, with the advance of time the image of the whole dress is gradually transformed by the loose fit and can reflect the female curves. Can be seen from the analysis of the written word in the Late Qing Dynasty long wearing clothing color indoor clothing harmonic color with more going out clothing the Zeyi contrast color with order different. In the late Qing Dynasty clothing color attached great importance, and the color is also to focus on the many splendours, but the overall image or pay attention to coordination and harmonization. 3. Compatibility of jewelry is a combination of traditional style and Western style, but also on the material and pattern of the jewelry, the main use of gold, silver, emeralds, diamonds and other materials, the style generally cumbersome and grand as the main feature. Face makeup more flirtatious, makeup mainly influenced by the then Shanghai's courtesan of Lin Daiyu thick black eyebrows, although in the 19th century, 90 years, over a period of time to pursue the rugged beauty of the heavy makeup. But changed back after a short pop flirtatious of the state. As can be seen from the guests and the written word as long exchanges of three rules of etiquette practices, even if the late Qing Dynasty written word as a long three contacts with the upper crust to the direction of \the wit, the spirit of courage to break through the barriers still allow these guests to find a mate or a friend in a long three from the written word, lust buried below this. Written word as long dress image by luxury and charming gesture, rather than frivolous, nudity, it is indispensable in male life endowed with both a vision of female beauty.

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CLC: > Industrial Technology > Light industry,handicrafts > Garment industry,footwear industry > Garment industry > Basic theory > The Psychology of Clothes,clothing Sociology
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