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Festival of the temple is the earliest, from religious activities after intervention, economic and trade promotion, gradually moving towards a mass cultural activities of the population. It has a long history, connotation and profound, it can be said is a product of traditional farming civilization thousands of years. With the development of the society, deepening of the reform and opening up, increased urbanization, temple fair culture in the face of the new industrial civilization has added new content and new vitality, prosperity occurred. Faced with this prosperity and development of all people, and also for the development of contemporary achievement and gratifying. To this end, the author’s thoughts on this, take this folk temple fair culture activities, combined with their own life experiences, professional characteristic creation of realist ink scroll the Guanzhong Temple series. In creation process in the author widely of research traditional painting, focus research has five dynasties Gu Hong in the of Han banquet figure under, song Zhang Zeduan of Tomb Shang River figure under, modern Jiang Zhaohe of refugee figure under, modern Liu Vinci of loess of master under, master of works, absorption China painting traditional art essence, combination era features, bold practice, temporarily completed has which temple snack under, and Temple shehuo under, and see theatre under, also has part works also required further completed. Through attention to temple fair culture, all perception of contemporary development, recognizing that Government must reform and opening up and correctness, and achieved great successes. Through the creation, in style painting and ink Freehand brushwork, keep trying, can make some contribution to progress of contemporary Chinese painting, is their aspiration, will have a positive meaning in her life.
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