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Inner Mongolia Cham’s Manifestations and Cultural Connotations

Author: ZhaoDan
Tutor: MaZiXiang
School: Northwest University for Nationalities
Course: Folklore
Keywords: Cham Manifestations Arts features Symbol Cultural memory
CLC: K892.4
Type: Master's thesis
Year: 2011
Downloads: 71
Quote: 0
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Abstract


Cham is a large-scale ritual activity in Tibetan Buddhism, which is a special phenomenon of religious culture and originated from Vcham in Tibet. Being a product of long-term exchanges of Mongolian and Tibetan culture, which contains abundant historical and cultural value. Every folk phenomenon is consist of its external manifestation and intrinsic cultural connotation, So in the process of writing paper, the main concern of the following two parts. First, through the spread of Tibetan Buddhism history track, to seek Cham’s source, content and performance process. Second, through checking Cham’s manifestations, in order to analysis of the artistic features, symbol and national culture connotation.This article consists of introduction, five chapters and conclusion. The introduction mainly introduces the research origin, purpose and meaning, Situation of Study and the related concepts in paper. The frist chapter discusses Cham’s basic situation and Cham’s exist surroundings in Dazhao temple Hohhot Inner Mongolia. The second chapter introduces Cham’s performance process in Dazhao temple Hohhot Inner Mongolia by deep draw and it’s artistic features. The third chapter applies symbol theory to explain Cham’s symbol system. The fourth chapter using cross-cultural comparison and cultural memory theory to analyze Cham’s unique multi-national culture connotations. The fifth chapter is Cham’s survival conditions at present and put forward protection measures. The conclusion is summary of the whole paper, mainly introuduce that Cham influences the Mongolian dance.

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