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Elements of Western Painting Flower on the Impact of Medern Chinese

Author: ZhangWenDong
Tutor: SunZuo
School: Hebei Normal
Course: Fine Arts
Keywords: Modern bird and flower painting Social Restriction Self-discipline Western painting factors Affect
CLC: J209.2
Type: Master's thesis
Year: 2010
Downloads: 146
Quote: 0
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Abstract

Over the years, the development of the bird and flower painting painters and scholars issues of common concern, and how to better achieve the Modern Transformation of bird and flower painting is a more urgent task. At present, most of the theorists range of bird and flower painting studies focused on the traditional bird and flower painting theory combing and bird and flower painting how to innovate, the lack of a broader perspective to understand the history, research methods benevolent see benevolence and the wise see wisdom. Therefore, I believe that the only bird and flower painting history of the development of scientific and rational research in order to better understand the future development of the bird and flower painting. In the historical process of the development of Chinese bird, keep the bird and flower painting unique national character is always the main line of development of the ancient bird and flower painting, but to show the development of the ancient bird and flower painting Modern particularity that, as the Western culture of the Ming Dynasty input modern times there has been the phenomenon of Western painting, bird and flower painting, which is a problem can not be ignored, we can say, it is this external conditions of the Chinese bird and flower painting in the modern rise of modern transformation made possible. Especially after the 20th century, Western painting as a heterogeneous cultural impact on the bird and flower painting has not stopped. It is worth mentioning that in the modern history of Chinese art, the collision of Chinese and Western culture, and also gave birth to a new face different from the traditional bird-and-flower painting, but its merits and demerits yet to be carried in-depth and serious analysis and research. It should be said, the above phenomenon is the focal point of the face of the impact of western culture go from here, for us, this is both an old topic is a new topic. Based on this, the paper argues that the development of bird and flower painting art development should be consistent with the basic law, that the development of the art forward in the joint action of social constraints and self-discipline evolving. In the classical period, the development of bird and flower painting reflects its self-discipline, after 20th century Chinese art, especially after the May Fourth Movement, in the literary mainly reflected the impact of foreign culture of traditional Chinese culture which led to big changes in the art, flowers and birds in this process has been the same baptism, and eventually showing a colorful prosperity. Can be understood relative to the classical bird and flower painting, this phenomenon more reflects the principles of the social constraints of the art development, the performance of this constraint is to become an international trend in modern and contemporary cultural interoperability between whether has become a common trend in today's world cultural development. It is in this historical context, our modern bird and flower painting evolution of particular importance value as it relates to the development of the bird and flower painting, related to Chinese painting to what kind of image of the tower in the world of national art forest and a series of complex issues. Therefore, based on the above understanding, correctly handle the inheritance and reference; correct understanding of the national character of the worldwide problem of bird and flower painting, has important theoretical significance to the development of the bird and flower painting. Article apply the the materialist dialectics principle focus and a more detailed analysis of Western painting factors impact on the the Modern \a more comprehensive demonstration. In conclusion, the article pointed out, It is in extensive exchanges of the world's cultural historical context, the creation of the modern bird and flower painting necessarily constrained by this cultural environment, it is not possible to go back to the simple sense of classical mood. Relative to the modern bird and flower painting, bird and flower painting in the new period have varying degrees of breakthrough in terms of ideology, materials and techniques, personalized expression, but also deserves our attention, that is how the excellent traditional culture organic combination of excellent foreign culture; how can we create both with national characteristics and cultural traditions but also has the characteristics of modern culture and contemporary cultural features of the new bird and flower painting, and so, no doubt, these problems still further explore and the contents of the study.

Elements of Western Painting Flower on the Impact of Medern Chinese

Abstract

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