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Korean film quota system Brief History :1945 -2003

Author: ZouYuZe
Tutor: DaiXingZuo
School: Beijing University
Course: Film Studies
Keywords: Korean Movies Movie quota Film industry Administration of Films Film Policy
CLC: J993.129
Type: Master's thesis
Year: 2004
Downloads: 555
Quote: 2
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Abstract

This thesis expand around the quota-based Korean Movies the evolution of the international trading system, based on the system's external environment, internal structure and morphology, the actual implementation, combined with the overall state of the Korean Movies the History film quota system in South Korea is divided into three stage, the the combing and analysis of the movie between the United States and South Korea in the year 1945-2003, the Korean film industry of American film to enter the South Korean market reaction and the South Korean government's initiatives, as well as the impact of the above factors on the Korean movie. The article believes that since the film quota system in South Korea in 1958, has gone through three stages of the 1958-1985 years of the establishment of the adjustment period, the import quota for 1985 to 1992, was forced to cancel screenings quota reserved but The lack of effective implementation period, screening quota to the effective implementation of the period since 1993. Although the establishment of the system of import quotas in 1958 to 1985 in order to protect the national film industry, but to the United States again to open the film market for the sector, the main function of the film quota: Previously, mainly as ideological control tools; Since then, mainly as an industrial, cultural means of protection. In order to carry out the film as a propaganda tool of intent, the Korean government first import quotas as bait to stimulate the film company to better fulfill its mandate, the latter is based on the screening quota to give the audience more opportunities for publicity. But in the system of the market economy and private capital, the movie's commercial properties are more fundamental, the quota system from the impediment to the development of Korean movies, in addition to the strict control of the film industry, and other factors, the Korean film industry recession. The screening quota system also damage to the South Korean film distribution, screenings of the interests of the industry, but its implementation does have a positive correlation with the market share of domestic films, and to ensure the interests of the investors in the the Korean Movies relatively weak. But it should be noted that this is a premise that the quality of the film that improve profitability. Korean domestic film gradually into the historical low in the early 1990s, the South Korean investor trust in the ability of the film's profits depend on two key First Hollywood role models in the world and on the Korean market, so that investors recognize that the film profit prospects of a positive response to competition in the Korean filmmaker, investors see the hope of the domestic film. The Korean Film today must go back to the full market opening in the 1980s. The quota system is a necessary condition for a country to protect its film industry Hollywood hit cross to achieve the revitalization of the domestic film. Also, in addition to help train the audience, the screening quota system to stimulate the art film shooting, contribute to nurturing film talent. The audience taste improve and art films in Korea acceptance is a key factor, which some commentators have identified in the analysis of the Korean Film screening of the quota system to promote the movie in this path revitalization. The article pointed out that South Korea's film industry to protect the actors, not the government, but the South Korean film industry interest groups. The Korean government did not actively using the quota system to promote the development of the film industry the NGO actions taken to strengthen the screening quota system in accordance with the law, the government still give up screenings quota system as chips of greater benefit to the United States exchange. The articles summarize the historical experience of South Korea on the basis of that, take a combined policy of openness and protection, and the structure of the system is both effective incentive to the advance and retreat of the actors gave a weak national film industry leave the development of space, will be made good effect. The key here is to cultivate the national film industry, interest groups, and the filmmakers have the ability and the opportunity to participate in industry management;

Korean film quota system Brief History :1945 -2003

Abstract

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