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Narrative Style of Feng Xiaogang’s New Year Movies

Author: ZuoNi
Tutor: XiuZuo
School: Central China Normal University
Course: Literature and Art
Keywords: Feng Xiaogang Lunar New Year film Narrative style
CLC: J905
Type: Master's thesis
Year: 2006
Downloads: 840
Quote: 6
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Abstract


The success of the film and television works, because for many, but for its own factors, depends mainly on two aspects: First, the story, first, the audio and visual effects. Chinese contemporary cinema's most box-office appeal of two directors, Zhang Yimou in grand scenes, beautiful images meticulously created by the audience into submission \Volkswagen \Today the entire film market downturn situation, Feng Xiaogang's New Year movie made again and again the box-office success, I think, one of the most important, most fundamental the quality undoubtedly Angelica belongs movie story tells its characteristics. Style character language based on this, this paper, from the perspective of narrative movie FengXiaogang system analysis and interpretation, focus on the civilian population of the interpretation of its text has become increasingly prominent in the movie narrative point of view, the game episode architecture and the banter, ridicule characteristics, and to further explore and reveal the lies behind socio-cultural and social psychological roots. First, the civilian population of the narrative point of view: Throughout Feng Xiaogang's New Year movie, the authors have adopted the narrative point of view of a civilian population. Urban civilians theme selection and shaping performance of the little people, given the movie a civilian style to narrow the psychological distance with the viewer, coincident with the era of cultural secularization steering and trends, and to participate in the organic composition. Second, the game episode architecture: in the process of shaping the city of little people and show urban style, the director cleverly called \Feng Xiaogang's comedy and strategy, and add the spectator entertainment value of the movie. , Banter, ridicule the figure Language: Feng Xiaogang's \to make, such characteristics are very prominent. Their successful use, and further strengthen the comedy and entertainment value of the movie. This is consistent with the aesthetic trends of contemporary culture and art in China purport. Feng Xiaogang is the director of a non-child, The Surreal is undoubtedly his \Lunar New Year film pioneered: sets the commercial popularity narrative way and discourse, has a revelation can not be ignored and the Significance of today's Chinese film-making.

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate
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