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This paper attempts to Qinghai hot Gongtang Ka arts , for example, to talk about Regong formation and development of the arts , as well as the description of the status quo Regong arts - its profound influence of traditional culture , a strong religious value base , and excellent teachers Acts inheritance customs, temple and family formed a special form of workshops , and discussions are described and analyzed for this special cultural impact locally and all the implications . In addition to the Thangka art form , source, sort out the production process , but also to talk about the social and cultural context surrounding Thangka - Discussion on Chinese territory under national pattern and modernized under the impact of ethnic characterization of the material as a form of art , how to deal with \logic and action ? and as Thangka painter around , beliefs circle of people of the same ethnic cultures , how will the use of Thangka as a form of representation , to strengthen relationships and identity ? dialectical relationship between persons and things , people use the material and cultural structure of the dialectical relationship . Thesis involves the possession of the social and cultural structure , ethnic and cultural performances , characterization analysis, was invented tradition and creation, material culture, the globalization of markets caused by the cultural change and adaptation , cultural economic and other related issues are the author attempts in this article, the desired care and treatment . I would try to explore Thangka art, Thangka art and culture of the surrounding community association and interaction with the crowd , with its corresponding other nations , such as the Mongolian dances , Yi lacquer , etc. - in China in the context of the modern nation pattern , how to face his own in those circumstances, the use of cultural traditions in the art as a characterization of the material culture (represtation), to unite , or changes highlight the cultural diversity of this population aggregation .
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