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This paper attempts to explore the art of Feng aesthetics, is divided into five chapters. The first section of chapter discusses the idea of ??Feng aesthetic appreciation. He believes that artistic vision is to \That attitude is a kind of art appreciation \In the \mainly on the practical art of Feng thought. He believes that human beings for foreign objects, not only the practical requirements, but also the aesthetic requirements, and excellent practical art is able to meet the needs of both. Somewhat useful, it appears vulgar, somewhat aesthetic, it appears that emptiness, applied arts will achieve the organic unity of practical and aesthetic. He criticized capitalism was commercial art for commercial profit ravaged arts, in order to advertise the expense practical. The modern applied art can reach the perfect combination of technology and art. This is the beauty and goodness of (practical) unity. The second chapter discusses the main Feng conditions on artistic creation and art education purposes aesthetics. Feng believes that a true artist, you must also have a pure heart and superb art artistic skills, but the art of the heart than artistic skills; this \pure innocence and lively outspoken child sexual freedom. Artists naturally through perception, experience life, learning masterpieces, read a trip to conserve their artistic soul; artist's skill can not just stay in the skill level, must be made by technological progress almost Road, both \unity, \purpose is \into the examination of the machine, nor is training people to make money skills. The third chapter is about the Eastern and Western painting Feng aesthetics. Section I discusses the Feng on Western painting and Chinese traditional painting traditional distinction ideas. He summed up the difference between the two: Western painting focused perspective, the characters will be in the correct perspective physical laws, focus on Chinese painting freehand, informal rules; Western painting emphasis on human anatomy, where the figures are in accordance with the rules of each part, truthful description, Chinese painting but the table looked, no resemblance in kind; Western painting drawn wide, and fond of the human body, Chinese painting drawn narrower, love nature; Western painting focus on objects in the background, Chinese painting is not heavy background; Western painting pay attention to color shapes, lines, not significant, Chinese painting filled with lines, color is not obvious. In short, Western painting heavy shape, its painting realistic shape, plain fun, Chinese painting heavy charm, his paintings Lively, fun lofty. In comparison, Chinese painting slightly better. Second section discusses Since the modern, western painting and Chinese painting influence each other. Impressionist paintings vibrant colors, unusual composition, on the lines of the post-impressionist respected, simple style, the technique that is to imitate the Chinese painting. Impressionist landscape's emergence, post-impressionist still life painting's independence, both in subject matter drawn by Japan probation. And some modern Chinese painters, have to go abroad to learn Western painting, the painting techniques and ideas has also been a great influence of Western painting. Future world of art, apparently tends to be \The \And Feng own painting is East meets West, focusing on impressionistic, Vivid. The fourth chapter is Feng on painting and literature (poetry) History of Aesthetics. Section I discusses the difference between the two ideas about Feng: painting used are natural symbols, its shape can be called figurative beauty, literature used is artificial symbols, and its expression is abstract beauty. Intuitive than literary figure painting, literature, painting and strong performance ratio; people enjoy painting primarily visual, literary appreciation mainly by means of hearing and imagination. In short, the painting is the art of space, is static art, visual art, and poetry is the art, is a dynamic art is the art of using auditory imagination. Section II discusses the blending of both common place. Observation of nature poet and painter, is with the \And the poet describes the natural shape, exactly the same way with the artist. Painter observation of the natural world and the poet, are affectionate attitude. The combination of painting and poetry, there are two situations: the first one is a combination of painting and poetry surface, the second is a combination of intrinsic, the latter is the real combination. The true artist, you need to have the artist's eye and a poet's soul. Also said that artists feel the eyes of the poet's soul \Fifth chapter is about the art of Feng ideological function. Section from the direct effect of view, art can treat human diseases, the psychological comfort, and promote physical and mental health, people live longer; can improve productivity, increase economic efficiency; may be inspiring and morale, strengthen patriotic fervor and the revolutionary morale; favor temperance man's material desires, and promote people's solidarity, is conducive to the founding of the war. Section II discusses the art of indirect function. Art can reduce the boredom of life, cultivating the spice of life, and improve people's psychological personality; can open people's hearts and minds, inspired wisdom, improve people's realm; ideas can inspire people, to arouse the revolutionary consciousness; can promote human equality, cultivate people's love and promote social harmony and world peace. Mr. Feng talked about all sorts of art function, the intention is to educate our attitude aesthetic contemplation of life, so as to realize the artistry of life, the taste of life. This paper mainly uses the dialectical approach to the study of art aesthetics Mr. Feng to highlight his dialectical thinking place. Both of his purely theoretical discussion, such as art appreciation and artistic creation, there is also the theory of his art practice of inquiry, such as the comparison of Chinese and Western painting and painting and literature relations; research both on the theoretical level, but also on the point practical level studies, such as applied arts, art education and art aspects of the function. Another aspect of the others do not pay attention, be prominent, such as art and art on practical aspects of ideological function.
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