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Voice Interpretation Research of Tang and Five Dynasties

Author: CuiYang
Tutor: SunJianYuan
School: Guangxi Normal University
Course: Chinese Philology
Keywords: Tang and Five Dynasties Voice interpretation Four CompareJing Dian Shi Wen(《经典释文》)
CLC: H113
Type: Master's thesis
Year: 2012
Downloads: 75
Quote: 1
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Abstract


Voice interpretation as an exegetical way, large numbers in our history, the ancient books into one of the phonological study of the ancient voice the face of the main material. Compared with other materials reflect the actual voice of the ancient sound interpretation of material has a unique value, a large number of scholars in this material used in the study of ancient sound. Overview of previous research results in the system, the reasonable use of this material or have a lot of regret, which will inevitably lead to some research and historical voice to the original appearance of deviation. Tang and Five Dynasties is the medieval stage in the course of development of Chinese speech, ancient voice of the Qin and Han Cheng, Kai Song, Yuan, Ming and Qing under modern voice, a pivotal position in the history of the voice, tone interpretation material is also during this period in large quantities, this paper seeks to on this during the audio release material the exhaustive collected, starting from an overall perspective, not bound to pass kept the previous generation of sound interpretation of the old sound to extract the effective sound cut research was around the voice lifetime, a more scientific analysis to identify such material. Strive to discover the facts closer to the original appearance of historical voice.This article is exhaustive excerpt from the Tang and Five Dynasties audio release material on the basis of previous research, and each of Discrimination, and chose to elect the "Shi Ji Suo Yin"(《史记索引》)," Shi Ji Zheng Yi"(《史记正义》),""Jin Shu Yin Yi"(《晋书音义》),"Lie Zi Shi Wen"(《列子释文》),the four on behalf of the line sound interpretation of the material system of sorting out and elaborated. Sound interpretation of the book’s tone cut Lu Deming (陆德明)"Jingdianshiwen"(《经典释文》)sound cut remove the old sound of the heritage, to take effective sound cut with the tangential mode of the "Guang Yun"(《广韵》),"Guang Yun"(《广韵》)have not received word to take the "Ji Yun "(《集韵》)corresponding fanqie the contrast. Will contrast the phonological status of a different sound cut for analysis to determine during which reflects the voice phenomena and sound phenomena, summarized the release of the voice characteristics of each sound, the system discusses the presentation of the characteristics of the four audio release and the similarities and differences. The full text of the main body includes the following sections:The first part of the textual research methods to separate the four voice interpretation material from the sound, rhyme, adjusting the horizontal description and discussion.The second part of the four voice interpretation from the three aspects of the sound, rhyme, adjusting the system. Four audio release some important voice phenomenon, we also combines voice before and after the Tang and Five Dynasties comparative analysis from a longitudinal comparison. In this comparison, we found that the four voice interpretation showed some of the features:1. A heritage of the old sound. Here the old sound, including the Department of Qieyun”(《切韵》)phonology" Jingdianshiwen "(《经典释文》),as well as the previous generation of various voice interpretat.2. Voice evolution by the time regional influence. Such as:"Jin Shu Yin Yi"(《晋书音义》) voiced Thanh Hoa systematic、differentiation of the severity of labial and retroflex differentiation degree of differentiation of the other three,"Yun(云)Yi(以)”the merger of the two initial consonant;"Lie Zi Shi Wen"(《列子释文》)Zhi(知)Zhang(章)Zhuang(庄)confluence of more systematic;" Shi Ji Zheng Yi"(《史记正义》)not a lot of rhyme proactive internal merger phenomenon3. Four sound interpretation of a common voice characteristics:voiced obstruent devoicing is a systematic trend; differentiation of the severity of lip and retroflex differentiation of progress is not completed;Zhi(知)Zhang(章)in the late Tang together and Zhuang(庄)group part Zhi(知)zhang(章)confluence; in some dialects in the late Tang Dynasty when the Chuan(船)and Shan(禅)merged; part of the Jin(精) group Zhi(知)Zhang(章)Zhuang(庄)confluence of signs; merged in some dialects, when the Yun(云)Yi(以)to the late Tang Dynasty; Zhi (止)and Yu(遇)except the" Shi Ji Zheng Yi"(《史记正义》)within a system merger; Dong(东)First rhyme with Zhong(钟)rhyme in " Shi Ji Zheng Yi"(《史记正义》) outside the three consolidation trend; Zheng(真)and Zhun (谆)merger, Hun(魂)and Hen(痕)the merger, Han(寒)and Huan (桓)merger, Xian(仙)Yuan(元)and xian (先)merger, Tan(覃)Tan(谈)merger, Xian(咸)and Xian(衔)merger, Yan(严)and Fan(凡) where the merger in have been merged in the late Tang period, and have the corresponding Rusheng merger phenomenon; most of the merger between the rhyme photo maintaining ancient phenomenon; Voiced Shangsheng go back acoustic phenomenon has emerged.Horizontal and vertical two in-depth comparis, the face of a more thorough restore the voice of this period, give full play to the role of the materials of this type of voice in voice studies of Tang and Five Dynasties.

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CLC: > Language, writing > Chinese > Voice > Middle voice ( Wei - Song voice)
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