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Style and Evolution
Author: LiXiaoJun
Tutor: JiangShiGuo
School: Hebei Normal
Course: Fine Arts
Keywords: Institute of Contemporary ink pen and ink characters to expand construction of personal forms of creative language
CLC: J212.05
Type: Master's thesis
Year: 2010
Downloads: 71
Quote: 0
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Abstract
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content:Institute of Contemporary ink figures in the context of social and cultural diversity has always been conscious in order to uphold the spirit of traditional ink painting as the starting point to construct the language form the core of modern ink painting, ink and contemporary culture to find the connection point for the breakthrough to create the times ink aesthetic schema and Speaking to convey the experience of individual life and human care, attention to social, attention to contemporary. Contemporary ink from the edge of the state into the academic mainstream and college art education system, breaking the previous single-mode systems and to make college ink character creation and integration of multiple manifestations, the development trend of the formation of ink with the characteristics of language and visual diagram, which is in line with the times and the ink itself, the inevitable law of development options, contemporary Chinese social, political, economic, and cultural diversity in all areas, forming a multidimensional, multi-dimensional framework of the theme, unilateral transplantation China traditional or modern Western can not carry the modern Chinese painting, to achieve national and Chinese Painting the power of discourse. In this level, the College based on local painter, Xun Zhao ink and the connection point of contemporary culture, Tuozhanzhuantong ink Language Aesthetic and cultural connotation, reasonable Xishou Western art element, the integration of multiple ink Ren Wu creative ideas, construct their own language style. Rapid change in concept, culture and opening up, stressed the innovative atmosphere of the times, the College Ink People did not stop at the new experience for the new level, not in "the other" attitude towards innovation and consciously ink awareness starting from the local to uphold and maintain self-identity Explorer history, confirmed that the performance of actively expanding the content of Chinese painting, ink language, visual and cultural content schemata, tradition and modernity built a bridgeFocus the attention of contemporary ink painter modern people living state, the performance of city life as a theme, expand the performance of the ink content of the traditional characters. Persist in the native language as a form of ink, and decompose and restructure the traditional vocabulary, and create a new blend of the traditional color ink, ink pen with a new form of extension and expansion of the ink of the aesthetic function. Contemporary ink figure painting consists of two aspects, the modeling concepts of integration and the natural form to art form changes. Institute of Contemporary painter based, personalized writing style in many ways the language of form. Content of the above, combined with the historical development of ink characters, from the two dimensions of vertical and horizontal launch, through contrast, data auxiliary evidence, logical analysis methods are summarized, and the combination of aesthetics, art and linguistics and other related disciplines knowledge argument. Institute of Contemporary ink figure painter in the context of social and cultural pluralism has always consciously in order to uphold the spirit of traditional ink painting as the starting point to construct the language form the core of modern ink painting, with contemporary ink painting and contemporary culture to find the connection point to a breakthrough in creating consistent with contemporary aesthetic ink schema and Speaking as the goal. Institute of ink through the character of language interpretation and analysis, further deepening of ink body language awareness of the value function and a better understanding of the particularity and the College of Arts College of ink painter cultural psychology and the development of modern Chinese ink painting in the role and face problems. Institute of Contemporary ink characters on subject matter, the works language, writing style and language of form and structure of self-analysis paper, ink characters for practice teaching and student reference text, reference and learning with applications to promote the value of the language involved in the ink the modern transformation of symbols and cultural features and artistic issues of regional studies on the ink reference value.Institute of Contemporary painter of "pure art" and "non-utility" to explore the nature and quality of experimental conditions may also prompt the College of, but will also bring college-oriented style of the results, causing the students to the individual teachers or a popular style of blind imitation. In this case, students are often obtained only with a particular visual orientation "ink form", rather than the art of ink painting as a language of culture and life of conscious. Shang Hui said as Tian Liming Zhou, new, Liu Qinghe, Li Xiaoxuan other characters shaped in the present and the expression does not have the characters of this era of universal significance, indicating a potential crisis in which artists pay attention to language in the construction of the neglect of language, expression, mental and psychological characters replaced by the language. Institute of Contemporary ink character not only to master the language of the construction of the historical properties of ink, but also to grasp the most valuable contemporary cultural issues. Relatively modern ink, the ink is not only more emphasis on the contemporary college life, interact with the times, focusing on the expression of ideas and concerns of the state of human existence, but also should focus on the emerging art, such as installation, video art draw, which including non-arts such as advertising, cartoons, etc. elements of reference, to explore and expand the field of ink performance.
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CLC: > Art > Painting > Painting techniques > Chinese painting techniques
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