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Analysis of Beethoven's E flat major Piano Sonata thirtieth \

Author: JiangZhiFei
Tutor: DuTaiHang
School: Central Conservatory of Music
Course: Musicology
Keywords: Beethoven E major the third ten piano sonata Op.109 Philosophy and meaning Playing revelation
CLC: J624.1
Type: Master's thesis
Year: 2010
Downloads: 262
Quote: 0
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Abstract


Ludwig van Beethoven (Ludwig van Beethoven 1770-1827) is by far one of the greatest composers, its creation 32 piano sonatas, not only the continuation of the tradition of their predecessors, the correct follow classical style , and is also known for its originality and richness of emotional content constantly subvert time hearing, but also to a large extent influence the direction of development of the music. His late piano sonatas, lyrical style occupy a certain extent, the original style of heroism. The reality of all the contradictions, such as his relationship with the nephew, the disease is becoming serious and the pressures of life as a result of his spiritual thirst for freedom and the creation of more. More importantly, during this period due to the refinement of his life philosophy, also makes the late sonatas Enthone more profound and complex. The more \) the creation of the background and structural characteristics, inspire the reader to a deeper understanding of Beethoven's late sonatas; combined with existing data from the same point of view, and provide more scientific guidance, learning and playing of Beethoven's late piano works. The article is divided into four chapters, the first chapter of the German culture and philosophy angle to capture the overall philosophy of Beethoven. Beethoven living in the most glorious period of German classical philosophy, his thoughts also by the impact of philosophers such as Kant, Schiller and other. Therefore understand Beethoven's philosophy, understand the meaning of Beethoven's spirit has a meaningful role in the player. With related text information in the second chapter, the historical background and personal background of the creation of the Beethoven E flat major Piano Sonata Op.109 \from the sonata structure, observed characteristics and innovation of the musical structure of Beethoven in his later years. Chapter from the four-part approach: artistic image, rhythm, sound and technology, and to provide some guidance to the playing of the Sonata Op.109. The conclusion from the above four chapters discussed further summarized. Full strive to a large amount of literature data and scientific discourse, objective, fair readers trying to learn the Beethoven piano sonatas to give some help.

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CLC: > Art > Music > Instrumental music theory and performance of law > Keyboard, reed music theory and playing method > Piano
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