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The big discussion of the aesthetics of the 1950s and 1980s, Chinese contemporary aesthetics presents outstanding camp are divided diverse theoretical situation. The turn of the century, on how to further promote the continued development of Chinese aesthetics, many domestic scholars and many schools expand the depth Controversy, and the formation of a distinctive aesthetic theory. Which, \Controversy, \The ideas of the representatives of some non-mainstream Practical Aesthetics scholars showed strong theoretical advantages, while the mainstream Practical Aesthetics difficult to progress because of the shackles of the traditional way of thinking of epistemology and the nature of aesthetics. The same time, in some other genre criticism of Practical Aesthetics, often sweeping, big but not when, even extreme and radical. Therefore, the representatives of some non-mainstream Practical Aesthetics scholars stand in a certain level of theory, a careful analysis of the course of development of Chinese contemporary aesthetics, and inherited the idea of ??the older generation of outstanding esthetician, learn from the modern Western aesthetics reasonable factors, combined with his many years of thought and research, distinctive aesthetic theory. Among them, the most representative Professor Zhu Liyuan, he inherited a of Mr. Jiang Kongyang On Practice based creationism as the core aesthetic relationship that learn from Heidegger's phenomenological ontological aesthetic ideology, combined with their own over the years The in-depth study of Marxist aesthetics and Western aesthetics and thinking, bold attempt and brave exploration \As a new force in China and the United States in the altar, \In the development and construction of the Chinese aesthetic sense, it really has become a new growth point of discipline in the Chinese contemporary aesthetic concern. This thesis revolves around the theory of Practice existential aesthetics generated theoretical connotation, three theoretical significance Preliminary inadequacy of planning, to be Revisited.
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