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A Study on Gu Zhengkun’s Translation of Shakespeare’s Sonnets-From Perspective of Theory of Equivalent Effect
Author: PengQiang
Tutor: LiuQuanFu
School: Shanghai International Studies University
Course: English Language and Literature
Keywords: Gu Zhengkun Shakespeare's Sonnets Translation Effective Theory Functional Equivalence
CLC: H315.9
Type: Master's thesis
Year: 2010
Downloads: 198
Quote: 0
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Abstract
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At present, the domestic has been submitted for publication Shakespeare sonnet translations up to 10 kinds. Overall, these translations translator translation method of the same standard in accordance with the translation the temper justice of the other roughly evaluate up, may wish to say most translations are no shortage of faithful more than poetic taste is suspected, the reader is at best only learn about the contents of the original poem, can not be obtained due aesthetic pleasure. In addition, individual translations even Europeanized taste full read Ji and hard to read, puzzling. In comparison, the 1990s, Mr. Guzhengkun launched translation as good people have a fresh feeling. Focus on poetry translation equivalent shift in the translation process, Mr. Koo, fully taking into account the differences in the expression of both English and Chinese, English and Chinese poetic form different, and asked readers to the ability to accept and aesthetic habits to maximize played a Chinese wording advantage, appropriate to learn the language of classical Chinese poetry and rhetorical, and thus enhance the translating poetry poetic charm, enhanced the readability of the translation. We have reason to believe that Koo translated Shakespeare's sonnets better than other similar translations reproduced the language style of the original poem gorgeous smooth and intense emotional burst. In addition, the translator did attempt songwriter flavor body for the Chinese translation of English Verse opened up a new way to no shortage of Significance. Eugene Nida, this study intends to apply the equivalent theory of \As we all know, in recent decades, the translation industry equivalent of Nida translation theory they deserved a lot, but it should be noted that, despite a lot of criticism since there is no lack sufficient justification, but also many scholars criticized the process misunderstood or misused read phenomenon, or the lack of theory and missing at exaggerated to negate. Fair to say that the equivalence principle and the universal truth that can not be considered as guidance translation, but as a system theory based linguistic research, in the positive sense but in any case not be able to write off the the. We believe that some of the concepts in the equivalence principle can be used to more fully explain the purpose of literary appreciation and aesthetic translation activities. Poetry translation, for example, the \for the purpose of ordinary readers, both which one is better, the evaluation criteria should be dynamic. Be contemplation, most of Shakespeare's sonnets Chinese Translations prefer the form of peer-to-peer, combined with the translator is not good for necessary modifications will inevitably produce a feeling of pleasure, and thus for the general reader. Instead, Koo translation focus on \At the same time, the success of the translation also proved the significance of the applicability of some of the concepts in the effective theory of poetry translation in poetic form, language, rhetoric and processing can not be ignored. In this thesis contains four chapters. Chapter 1 is a brief introduction the Shakespeare sonnet translation, and the Guzheng Kun translation of main features and innovations made scoping combing. Chapter 2 Overview of China's translation industry has long debate on poetry translation, contemporary Western poetry translation theories and perspectives that different translation strategies and means should be taken according to the audience and the purpose of the translation poetry translation. Chapter 3 describes the the Nida equivalent translation theory and its guiding value of poetry translation. Chapter 4 is the focus of this article, the to detailed discussion Koo translation by comparison with the control and the the Tu the shore, Zongdai two translations, from the poetic form, language, rhetoric processing, it is equivalent to the application of the principle of Poetry Translation sexual empirical analysis to evaluate the achievements and Koo translation flaws exist and correct me.
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