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The Field Scenery in One Mind to Tour and to Live

Author: TaoJin
Tutor: LiMingWei
School: Henan University
Course: Fine Arts
Keywords: Wu Guanzhong Eastern and Western cultures Integrate Form Artistic conception Emotion
CLC: J205
Type: Master's thesis
Year: 2011
Downloads: 60
Quote: 0
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Abstract


The 20th century is the new historical period, China to the world of Chinese painting from the classical form to the modern form of the transition period. As a representative figure of this period the art of painting, Wu Guanzhong is of special significance in modern Chinese art history painter and art educator. His life to the pursuit of the art of painting, comprehend grasp of the spirit of traditional Chinese painting aesthetics with modern Western techniques enabled him to both Chinese and Western, Eastern and Western painting grafting marriage, freehand pen and ink mood phase with Western oil painting techniques The combination of painting personalized language. Wu Guanzhong with his painting created for us a tour habitable pastoral environment, explore the nationalization in the oil painting, modern Ink seek, beyond the borders of painting the fence for our explorations of contemporary art innovation a new Aesthetic direction. Wu Guanzhong's art traditions embodied in modern art, his traditional jumped out of the shackles of traditional Chinese painting stylized practices and to carry forward the spirit of the traditional pen and ink, the rich expressive ways and forms language of the spirit of Chinese painting, Chinese oil painting and traditional ink while creating a new path to the world, the spirit and style of Chinese art. He found the entry point of the art in traditional and modern, East and West temporal Interchange, which he belongs to this era's extensive art space is extended. 20th century Chinese art is expanded in the crisis of national survival into the modern ranks anxious to improve road exploration, in culture and values ??a wide range of the art of the 21st century will be how to develop the art of Wu Guanzhong The practice will give us important inspiration to integrate Eastern and Western culture and the arts in the road to success with a model of the meaning. With the development of contemporary art in China, Wu Guanzhong art studies have also further deepening and expansion, to build the spirit of the Chinese contemporary art theory and art forms, harmonious exchange of Chinese art and the other nations of the world art, Chinese contemporary art really stands forest in the world of art is the responsibility of our artists. This article is divided into five parts expand. The first section traces the origin of life of the Wu Guanzhong fusion of Eastern and Western culture art. The second, third and fourth part is the main part of this paper, expand the Wu Guanzhong blend of East-West cultural art road interpretation of his nationalization of oil painting, Chinese painting modern connotation. Main from pursuit of Wu Guanzhong form, to explore the mood of exploration and emotional injection analysis, interpretation from the kite line \The fifth part of the the Wu Guanzhong integrate Eastern and Western cultural and artistic inspiration to us.

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CLC: > Art > Painting > Painting theory. > Drawing reviews,appreciate
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