|
\The history and reality of far-reaching effects, beyond the significance of the value of the work itself. This thesis is based on the study of the status quo Shao music, the history of the development of the Shao music divided the ancient Shao Qi Shao, meteorite Chalmers and Chalmers four characteristic stages, respectively, corresponding to the four chapters of this thesis, divided into four stages, trying to clearly demonstrated Shao music in the entire history of the development stage characteristics and trend. And, through in-depth analysis and comparison of the different periods of the Shao music background, the dance content Lok Maung, connotation, features on the changes as well as changes in the different characteristics of each period and its behind the ideas contained meanings Shao music reasons. Shao music in the last chapter of a variety of complex row work creatively put forward some of the ideas and suggestions, and look forward to the opportunity to put into practice in the future work, and use this as a theoretical reference. Ancient Shao Shao music experience first stage, but also the origin of Shao music period. Low productivity status of the primitive society, people from thinking they can not be the main object things distinction look fuzzy on the concept of the people of God manifested in the music and dance, as well as with a strong survival desire utilitarian goals. This stage precisely because of the existence of these factors, Shao music unadorned rustic aesthetic characteristics, this is an important feature of the other the ancient Shao different from Shao music stage. Shao music of this period, you can vaguely see the seeds of some Lile thought, after the Lile thinking able to start a prairie fire spark. Qi Shao is an Etiquette both the music and dance of the development of a more comprehensive, it played down the the ancient Shao kind of strong utilitarian and aggressive atmosphere enveloped gradually from Zhouli guarded restraint. Qi it with an open mind and an instant release from the vitality and Sarkozy to open, honest, rapid integration of rich folk culture, widely income, mining Bo, to absorb the essence of folk art, Shao music from here to mature. Grace degrees dazzling Qi Shao to become a bright pearl of music and dance in the history of. Experienced Qi Shao this glorious period, Shao music began to gradually eliminate summed up in the inner and outer two reasons. From the internal point of view, first of all, the music and dance is the art of flow of this nature, its preservation requires a higher level of science and technology for material support, the level of the development of modern science and technology, however, could not provide this protection; Secondly, the music and dance of their own the development point of view, the survival of the dance is constrained by the times, it is a product of the times, the need to survive in the innovation and development, and it is not eternal existence, with the changing times and replaced by a new era of music and dance. Aspects of external causes, after the decline of the Zhou dynasty, Lile system collapse, do not have a strong policy to protect them, Lile reduction system in the Qin and Han dynasties, gagaku dance gradually lost its past elegance and status. Today, science and technology rapid development, a growing sense of protection awareness of the traditional culture, Shao music in this new era of the protruding opportunity again. Stage technology upgrading, the rapid development of dance technique, since the new China, and cultivate a batch of superb actors in the growing high-level cast, good development space Shao music in the creation of the new era . Of course, Shao music the Shao music of this time and at any stage in the past are not all the same, the Shao music showing a brand new look, it came up with a breath of ancient After the baptism of a new era, a show new aesthetic inclination.
|