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Ancient Chinese poetry and referred relations and modern Chinese poetry, the relationship between traditional and modern, but still in the binary opposition of thinking and unique perspective into the mainstream of poetry, should have not made progress. Refused to present various aspects of stress and the collection of poems, Zhao Ye, "lost time is never" or give us inspiration and new conclusions. Zhao Ye I handle the traditional aspects of the experience of the present to start discussion, the thesis is divided into five parts, the first, the preamble, the naming of a brief third-generation, third generation anti-noble poet, anti-culture anti-hero, anti-language rebellion, to understand the profile of the third generation of the whole creation and the pursuit of poetry, and then carried out on wild Zhao brief introduction to understand the personality of their introversion. Zhao second part the position of wild poetry, the pursuit of the face of current and linear acceleration time in the form of the chase, Zhao Ye refused to fashion, writing poetry slowly, from its periphery; the face of today’s poetry torn language, the poet tribal name to a variety of confused faces all non-Chinese, Zhao wild in the pursuit of the beauty of language, classical Chinese and were the perfect combination of modern Chinese, will be the pure language of the depths of total war to the bone. The third part of the current and historical, spiritual level, mainly from the wild to study the fusion of ancient and modern Zhao features. Feelings described hermit pursuit of Heaven in their life, business and ideology must resist the double oppression; Zhao Ye described the fate of poetry beyond the contents of the existing experience and thinking, Inquiries to life, refusing specific events and historical events, which means that with a philosophy and depth; sincere Zhao Ye moved to clarify the emotional content of poetry and the power of moving hearts and aesthetic effect, since moved to write poetry, not mysterious or fashion Yao, Zhao Ye in Writing the universal human emotion. The third part of the poetic techniques and styles, from an artistic dimension to the pursuit of the aesthetic Zhao Ye, poetics, and on the classical concept of inheritance and innovation. The use of the old saying, the ancient Chinese into a suitable location and its activation; allusions, the dark mood of classical poetry, the poetry reading with multiple possibilities; image of pure, natural images to make poetry more ancient style; lyricism rhythm;structure, which contributes to both inheritance and development. Zhao Ye poetry back to the fourth part of the meaning. Another form of time, Zhao wild with their own form of poetry recall another time, cycle time, earth time, the ancient Chinese form of time, and reclaim the essence of the meaning of poetry, the loss of the return of the good things and so that to reproduce; material and the traditional Chinese thinking, Zhao Ye Han claim and use the unique quality, to create a simple deep text, reveals the dialogue between modern and traditional, rather than confrontation or coercion in the relationship, the traditional could easily went into the modern, the modern tradition can be accepted magnanimously. Part V Conclusion, Zhao Ye, including temperament and the culture arid sages of ancient China, there is a natural fit, the ancient way of life, emotional attitudes, cognitive style, and his infection with the poetry Zhao Ye Zhao Ye also recall Inquiries way of history, and ancient together by life, Zhao Ye of ancient poems are creative ways to borrow more, to extract the modern lyric, create a model of today’s classical lyric, buried under the snow flame.
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