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Revolutionary Narrative female image of intellectuals
Author: ZhangYun
Tutor: ZhouYanFen
School: Northwestern University
Course: Contemporary Chinese Literature
Keywords: Intellectual Revolution Female images
CLC: I207.42
Type: Master's thesis
Year: 2011
Downloads: 139
Quote: 0
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Abstract
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In the Chinese literature of the 20th century, "revolution" has become an important narrative word. The revolutionary literature had become a socialist realism literature classic narrative paradigm after the development of the 30s left-wing literature and Yan and period’s literary. Under the influence of revolutionary discourse, the Chinese female literature formed new aesthetic characteristics, women writers thought over questions of the emancipation of women from the actual situation. Intellectual female images were no longer hesitating and sad women, they participated in the construction of society foundation actively like men. Intellectual female pursued her own historical subject qualification in the revolutionary space. "Revolution" is the key word which female literature of 20th century cannot overlook. From the perspective of revolutionary narration, it may be more prone to chase something truth of female literature. So the Key content of this paper is about female intellectual images in revolutionary space.This paper includes five chapters and epilogue, so there are six parts about this paper. The first chapter of "introduction" section first describes the related concepts of intellectuals, and then discussed research actuality and expatiates significance of paper’s topic; The second chapter summarize the female intellectual images of modern and contemporary novels firstly, and then describes the influence of revolution on female intellectual images; The third chapter discusses of female intellectual images who left Book boudoir and new family in Left-wing literature period, take He Sue john and Mei Lin for examples; The forth chapter is about intellectual women in Yan an and Seventeen years literiture periods, take Lu Ping and Lin Dao king for examples; The fifth chapter discuss of female images in Revolutionary narration after, take Ye and Wu Wei for examples. At last, expatiate describes the current significance of this topic.
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