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On the Tibetan theme paintings

Author: JiaoZuo
Tutor: GaoRunXi
School: Central University for Nationalities
Course: Fine Arts
Keywords: Tibetan themes Chinese painting Times Diversity
CLC: J212
Type: Master's thesis
Year: 2011
Downloads: 65
Quote: 0
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Abstract


Chinese painting with a brush dipped in water, ink and color painting on silk or paper painting, traditional Chinese painting form, is the main form of oriental art. Tibetan theme of Chinese painting, refers to the use of the performance practices of the Chinese painting Tibetan creative themes, reflecting Tibetan life style and history of the state of painting. Tibetan theme of Chinese painting is an important part of the art of Chinese painting, its rise and development has profound social and historical roots. Tibetan theme since the birth of the Chinese painting, the continuous development of Tibetan theme different era of social change and the ideas and works of art, is not only a model of humanistic ideas of these times art, and also painted on a Tibetan region for centuries and social development changes image of history. Snowy plateau decades of social upheaval, improving the lives of the Tibetan people and mental outlook changes, in various periods of art image most vivid shape and presentation. Tibetan theme of Chinese painting from the birth to the present, the different era artists to create a large number of outstanding works, some of the works even as a milestone in the development of Chinese painting art, had a profound influence on the development of Chinese art. In the past for the Tibetan theme of Chinese painting of the research, analyzed from a pen and ink, lines of inheritance and innovation perspective; also from the national traditional colors, traditional patterns learn and explore angle analysis of; also from the representatives of the different periods of the famous painter Tibetan theme works analysis of the characteristics, and so on. But the lack of depth of Tibetan theme, the development of Chinese painting, the transition process from a macro point of view of the development of modern art history. Innovation of this paper is that the Tibetan theme of Chinese painting works of the collation and analysis of the historical development, macro-perspective on the development of Tibetan theme of Chinese painting of a comb, in accordance with the social history of the evolution of the different stages of analysis Tibetan theme of Chinese painting creative development changes the and analysis of internal and external factors that affect the development and changes of two aspects of social history and art exhibition aesthetic orientation, thereby Looking to the future trend of development of the Tibetan theme of Chinese painting. Chapter to the rise of the western art themes for clues to a review process of the development of Chinese painting in the Tibetan theme, and cited the main representative works; Chapter II is divided into chronological development of Tibetan theme paintings 40-70 years and 80 years after the two parts, For example, the analysis method development of Chinese paintings the two periods Tibetan theme changes do and summarized; Chapter III analyzes the impact of the change of the Tibetan theme of the development of Chinese painting, mainly from the social, historical aesthetic orientation of change and today's art exhibition; Chapter summary of the factors of its changes through the development and changes of the theme of the first three chapters of the Tibetan paintings and explore the future development of the Tibetan theme of Chinese painting tends Tibetan theme paintings needs to reflect the era and the rich diversity of the argument.

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