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Bao Yuan Kai (1944 -), Hebei Qingxian, Chinese famous composer and musiceducator, He created a total of four symphonies,《Memorial》、《war》、《PekingOpera》、《Xiamen》、《Chinese traditional music》China，An oratorio《Yu Wangflood control》and other works。《Yanhuang style》total 24, were selected in northern Hebei, Shanxi, Shaanxi andsouthern Yunnan, Jiangsu, Sichuan and other provinces and cities in a wider spread offolk material for creation, divided into《Yanzhao Story》、《Yunling Sketch》、《loessjoys and sorrows》、《Sichuan Folk Songs》、《southern rain》、《Taihang Spring》movement 6.In this paper《Yanhuang style》Orchestral Suite as the research object, throughin-depth analysis of the work to create the background, form the theme, orchestrationinnovation, aesthetic sense and other areas to multi-level, multi-angle analysis《Yanhuang style》and the true value The art of positioning. Papers from theintroduction, body and conclusion of three parts. The introduction of the significanceof the topic, related review, the topic of research methods and the innovation of thiswork were outlined. Body including a Martin Yuankai about his life, and the stagingand creative ideas were outlined. Second,《Yanhuang style》Suite for musicalstructure of each movement. Third, the《Yanhuang style》of music creation techniqueorchestration, harmony and polyphonic characteristics) were studied. Fourth, Bao Yuan Kai’s《Yanhuang style》Orchestral Suite has combed the aesthetic value anddiscussed.
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