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Religious Spirit and Painting Style

Author: WangHuiJun
Tutor: HuangRuiXin
School: Henan University
Course: Fine Arts
Keywords: Christian Christ on the Cross Religious spirit Painting style Times
CLC: J20
Type: Master's thesis
Year: 2010
Downloads: 247
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Abstract


Regardless of religion or art, the main object, art and religion are by their own way trying to answer the meaning of human existence and mission in order to establish the status of people in the world. Both aesthetic sense of the world or the world of religious attitudes are necessarily in itself contains a certain amount of emotion and feelings, artists, especially more prominent. Close up art and religion, it is precisely because of these commonalities, the two interrelated mutual penetration in each specific era, religious painting creative material, the spirit of religion is also exerts a subtle influence the creation of the artist, the artist always try to use different painting styles to the performance of the ultimate concern. About religion, mostly concentrated in the study of theology, or philosophy religion as a phenomenon, the phenomenon of social and cultural phenomena to study. To study the relationship between religion and art, some are just the arts as part of the religious art to explore (in fact, there are many works of art just based on religion but it is not purely a religious works of art, but the artist's performance of certain religious complex , that is, works of art of the artist spontaneous creation of religious themes, and thus a variety of styles), and attempt to examine \Face the same religious themes, and artists understand the interpretation of its ideological, spiritual connotation and practical significance, and the painter's personal temperament and cultural background of the times; each artist and how to deal with, through the analysis the differences between each painter, to find they are in different ways but to create the same thing, that great works of art. Analysis further clarified the artists desire to explore and reflect the spirit of the times life-style, for which the artist is constantly looking for new forms and manifestations of new means of showing a distinct era and style characteristics, so that the image of the crucified Christ. Through the study of these paintings, inspired us in the creation of how to absorb nutrients from the religious spirit, showing concern and care. To study the subject of contemporary painting theory construction and creative practice have a very important academic significance. It is precisely because religion has the characteristics of the ultimate concern of the people, the religious spirit is eternal, so with the development of the times, inevitably there will be a new form of performance for this content. Religious spirit in the technology's rapid economic development, social life increasingly secularized today, while feeling great painting, in-depth study to explore the spiritual connotation and is used for artistic creation, artistic creation breathe new life into vitality, which is in the moment to re-examine the value of the religious spirit lies. In this paper, theoretical analysis, for example, the method of demonstration and comparison, trying to explain how the image of Christ crucified is showing a distinct era and style characteristics, and the spirit of religious painting style from the following five aspects. The first part describes the relationship between religious spirit and style of painting. The first is to make the religious spirit and content of this article defined; Second, we discussed the relationship of art and religion and present status. The second part discusses the first medieval divinity of Christ on the Cross \First discusses the development of Christian doctrine and theology; then discusses the painting \The third part discusses the Renaissance to the 19th century by the kingdom of heaven to earth \First discusses religious decline of painting from five stages: analysis and comparison of \The fourth part discusses the 20th century secularized environment concerned about the human nature of Christ on the Cross \Christianity in the Context of Globalization; analysis and comparison of modern and contemporary styles. \Finally, the evolution of the religious spirit and the cross of Christ painting style contrast, analyze and come to the following conclusions: First, the \from God to the conversion feature of human nature; \Among these changes, we can see that Christ was crucified on a distinct times and style characteristics.

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CLC: > Art > Painting > Painting theory.
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