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Kong Family in Qing Dynasty female poet groups (1) occupies a special position in the ancient Chinese literary, their number can test up to 30 or 40 people, up to three dozen test poems, works a total of more than a thousand first. Representative poet Yan small, of Kong Lizhen, Kong Luhua, Kongsu Ying, Kong Zhuanlian, Kongguang Fen, Kong Xianying, Kong Shucheng Kong Xiangshu, leaves charm British, Ye Junjie, JUMA. Large number of this group of poets and poetry is rich, the Qing Dynasty the female literary world by attention. From an external point of view, this female Clan poets showed several features, mainly born in more cultural and family, their identity or the name of the Father, daughter before Shi's wife, the mother of the sub-groups multi widowhood Hometown distribution has obvious regional and other. Of this Confucian holy-American women poets in the emergence, not only with the regional economic and cultural well-developed and democratic ideas of the Enlightenment, and other social phenomena associated with male literati guidance of family support and social incentives indivisible. On the basis of the results of the few previous studies, starting from the original literature materials, lessons are drawn by combing Women Writers of the Qing Dynasty and works excavations the female poet overview of the Kong Family, women poets generalize the Kong Family group identity, and thus of the Qing Dynasty Kung Family female literature macro research and case analysis. Especially by fully grasp and explore in depth the Kong Family Qing Dynasty female poet's survival of the state and its creation of the original literature, through in-depth understanding of the female version of the work of the Kong Family circulation, the author with the position of women, women of vision and females the feelings, the text from the subject matter, content, style, and many women work on the Kong Family peruse fresh individual life, the rich emotional as well as the unique aesthetic value of three-dimensional presentation of its Qing generation of literary history to find the accurate positioning, co · reasonable to show the important value of philology and academic significance of the history. Overall, the limitations of the Qing Dynasty and social environment, democratic enlightenment awareness is relatively weak, and women's own psychological shackles and other multiple factors, female poets of the Kong Family mostly narrow living space in a narrow emotional to talk, and more basic characteristics common female poets, language subtle and refined, heavy line drawing and colloquial style pathos lingering selection trivial, frivolous, the subjects involved bed valances embroidered Asahara, the the silver candle dressing table, window heads moon, Petals garden cloud and in Guyan, black hair grease tears the Boudoir trivia, a certain lack of ideological and realistic, but the lack of depth and thickness of male Writers rich history. Indeed, part of the poetess out of the boudoir, study with a teacher to learn the art of poetry, to share their feelings, make friends companion the our more enlightened female poet Collection surfaced, each mentioned preface and postscript, in a difficult environment to keep poetry writing enthusiastic efforts to showcase the rich emotional style of the lives of women and female-specific. A woman's unique perspective and language, they break through the limitations of the traditional themes, to broaden creative themes and writing style, wrote a large number of excellent young lady with male literary sophisticates feelings word chapter accommodate the urgent straight Junshuang, subtle and dignified, melancholy desolation, bold and uninhibited variety of styles, some poems of high literary accomplishment, no less favorable than those of his contemporaries, his charm male writers, we get a glimpse of the other side of the lives of women in a patriarchal society Benxiang.
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